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CUZ

THE LIFE AND TIMES OF MICHAEL A.

A searing memoir and sharp social critique marred only slightly by the author’s excessive self-flagellation.

A professor turns to her family to offer a powerful memoir revolving around her younger cousin, who was murdered at the age of 29.

Allen (Director, Edmond J. Safra Center for Ethics/Harvard Univ.; Education and Equality, 2016, etc.) adored her cousin, Michael Alexander Allen, who possessed a winning personality and wide smile. Although he had the potential to succeed in school, Michael turned to petty crime at a young age and was convicted of a felony at 15. The author blames herself for failing to halt Michael’s wildness, and she condemns the criminal justice system for punishing Michael as an adult instead of a juvenile. Her critique of juvenile detention centers and adult prisons is convincing. Racial discrimination alone did not yield all of the injustices aimed at Michael, but they certainly contributed. When he won his freedom after 11 years in prison, he declared that he would become successful; the author believed him and offered him extraordinary help with a job search, rental housing, and college applications. However, she had no clue that Michael was leading a triple life: the “good” Michael was also deeply involved in crime and in a stormy relationship with a lover prone to violence. Allen details the circumstances of the murder and then offers flashbacks as she pieces together the circumstances of Michael’s life, foreshadowing its violent end. Much of the evidence offered through the flashbacks derives from Allen’s personal involvement in her extended family’s history. Some of the knowledge, however, comes from Allen’s decision to act as an investigative journalist, sharing what she learned from her aggressive reporting, no matter how unpleasant her findings. As the author chronicles her discoveries about how much Michael successfully hid from her, she is sometimes unduly hard on herself.

A searing memoir and sharp social critique marred only slightly by the author’s excessive self-flagellation.

Pub Date: Sept. 5, 2017

ISBN: 978-1-63149-311-9

Page Count: 256

Publisher: Liveright/Norton

Review Posted Online: April 29, 2017

Kirkus Reviews Issue: May 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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