A funny, creative take on a well-known fairy tale.
Pattison’s picture book offers a unique spin on an old classic.
Goldilocks is famous in town for her golden hair. She enters a cave where a troll family lives, sees food on their table, and commences tasting. She decides the smallest dish is too “jitter-bitter,” the middle-sized one is a too “treat-sweet,” but the biggest dish is a “just right-delight.” She also sits in and breaks (!) one of their chairs. Neighbors peek through the window, watching Goldilocks, who eventually takes a “snap-nap” in the trolls’ beds. The police are called. Papa Troll tells the cop, who’s a pink bear, “This is the third time I’ve found Goldilocks in my cave this bleak-week!” The cop awakens Goldilocks and tells her she is a thief. She retorts, “You can’t do anything to me!” The story concludes with Goldilocks in the clink and a reminder to stay out of “rubble-trouble.” Pattison’s use of silly language adds an amusing layer to the story, making this a good pick for a read-aloud. Bartolomé’s colorful, simple illustrations offer drawn interpretations and unique textured backgrounds; for example, the last page depicts Goldilocks in “folktale-jail,” laughing and swapping stories with the Big Bad Wolf.
A funny, creative take on a well-known fairy tale.Pub Date: Oct. 5, 2020
ISBN: 978-1-62944-162-7
Page Count: 32
Publisher: Mims House, LLC
Review Posted Online: Sept. 24, 2020
Kirkus Reviews Issue: Nov. 1, 2020
Review Program: Kirkus Indie
A validating and breathtaking next chapter of a Mother Goose favorite.
Humpty Dumpty, classically portrayed as an egg, recounts what happened after he fell off the wall in Santat’s latest.
An avid ornithophile, Humpty had loved being atop a high wall to be close to the birds, but after his fall and reassembly by the king’s men, high places—even his lofted bed—become intolerable. As he puts it, “There were some parts that couldn’t be healed with bandages and glue.” Although fear bars Humpty from many of his passions, it is the birds he misses the most, and he painstakingly builds (after several papercut-punctuated attempts) a beautiful paper plane to fly among them. But when the plane lands on the very wall Humpty has so doggedly been avoiding, he faces the choice of continuing to follow his fear or to break free of it, which he does, going from cracked egg to powerful flight in a sequence of stunning spreads. Santat applies his considerable talent for intertwining visual and textual, whimsy and gravity to his consideration of trauma and the oft-overlooked importance of self-determined recovery. While this newest addition to Santat’s successes will inevitably (and deservedly) be lauded, younger readers may not notice the de-emphasis of an equally important part of recovery: that it is not compulsory—it is OK not to be OK.
A validating and breathtaking next chapter of a Mother Goose favorite. (Picture book. 4-8)Pub Date: Oct. 3, 2017
ISBN: 978-1-62672-682-6
Page Count: 45
Publisher: Roaring Brook Press
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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