An impressive fantasy sequel featuring a brave apprentice.
This second volume of a YA series focuses on a teenage girl, her gyrfalcon, and a promise made to her grandfather.
At the age of 11, Brittney Eldras stole a gyrfalcon egg from a nest. She raised the bird to be her friend in her lonely home valley of the Heartland. Two years later, Britt has lost her parents in an avalanche. She and her gyrfalcon, Tatty Mog, are partners in life, hunting and growing up together. One day, her grandfather Winchal Eldras, who is a Wayfinder and able to locate anything, claims that he no longer hears the Finder’s Bell. It should be in the city of G’il Rim, to the south. Granfa, as Britt calls him, passes the Finding on to her, beginning her apprenticeship. She must now venture to G’il Rim and search for the Bell. Increasing her challenges are the Zendi, conquerors who hold the Heartland in an economic death grip. They’re a society that worships albinism and has outlawed any but themselves from owning a gyrfalcon. Britt must also beware the Zendi’s intense superstitions and a prophecy revolving around the deaths of seven court ravens. Should the ravens die, war would recommence in the Heartland. In this sequel, Pattison (Pollen, 2019, etc.) delivers a charismatic YA fantasy that features striking worldbuilding centered on the bond between people and animals. She includes veterinary facts, including details about bumble foot, which occurs when a bird cuts itself with an overlong talon and becomes infected. There are also the Tazi hounds, “a breed of royal and telepathic dogs,” like Lady Jetje. The Zendi prince, Oran Ziggmaccus, is a fabulous villain whose code keeps him from cheating at cards yet he has no problem whipping whomever offends him. These elements (and many more) come together in a visionary palette over which the author executes fine control. In one subtly ominous scene, “albinos enter the middle door” of a shrine while “everyone else goes to a side door.” As the drama crescendos, a key component from the previous volume comes into play. A gorgeous finale illustrates the depths of humanity’s companionship with animals.
An impressive fantasy sequel featuring a brave apprentice.Pub Date: July 9, 2019
ISBN: 978-1-62944-123-8
Page Count: 232
Publisher: Mims House
Review Posted Online: May 28, 2019
Kirkus Reviews Issue: July 15, 2019
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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