A sensitive rendering of the conflict at the core of double consciousness.
An unnamed narrator—or perhaps a collective narrator—with diverse cultural heritage seeks to know whether America loves them.
Front and back endpapers picture a United States flag with the Pledge of Allegiance printed in childlike handwriting. Within, gray-toned illustrations with accents of red, blue, and white depict people of color of all ages in outdoor and indoor settings: cities, fields and beaches, churches and schools. The text reads like a poem, narrated by a first-person voice who is, at first, unsure of their inclusion in the bold, brave United States. “Do you love me?” the voice asks its country. A series of questions addressed to “America,” some literal and some figurative, reveal an obsession with and a lack of confidence in the narrator’s relationship with their country, until at last the voice concludes that, despite all these questions, “America, I am you. / America, you are me.” The text incorporates occasional phrases in Louisiana Creole and in Spanish (both without translation), a choice that is explained in the author’s note as a reflection of her heritage. Through simple, poetic language and stark, symbolic imagery, Peoples-Riley delivers another powerful representation of the complex relationship between people of color and the country whose past and present call its love for some of its people into question. This book answers a deep fear about wholeness and belonging as it invites young readers to grow into its message.
A sensitive rendering of the conflict at the core of double consciousness. (Picture book. 4-9)Pub Date: April 6, 2021
ISBN: 978-0-06-299329-8
Page Count: 40
Publisher: Greenwillow Books
Review Posted Online: Feb. 8, 2021
Kirkus Reviews Issue: March 1, 2021
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
BOOK REVIEW
Just the thing for anyone with a Grinch-y tree of their own in the yard.
A grouchy sapling on a Christmas tree farm finds that there are better things than lights and decorations for its branches.
A Grinch among the other trees on the farm is determined never to become a sappy Christmas tree—and never to leave its spot. Its determination makes it so: It grows gnarled and twisted and needle-less. As time passes, the farm is swallowed by the suburbs. The neighborhood kids dare one another to climb the scary, grumpy-looking tree, and soon, they are using its branches for their imaginative play, the tree serving as a pirate ship, a fort, a spaceship, and a dragon. But in winter, the tree stands alone and feels bereft and lonely for the first time ever, and it can’t look away from the decorated tree inside the house next to its lot. When some parents threaten to cut the “horrible” tree down, the tree thinks, “Not now that my limbs are full of happy children,” showing how far it has come. Happily for the tree, the children won’t give up so easily, and though the tree never wished to become a Christmas tree, it’s perfectly content being a “trick or tree.” Martinez’s digital illustrations play up the humorous dichotomy between the happy, aspiring Christmas trees (and their shoppers) and the grumpy tree, and the diverse humans are satisfyingly expressive.
Just the thing for anyone with a Grinch-y tree of their own in the yard. (Picture book. 4-8)Pub Date: Aug. 6, 2019
ISBN: 978-1-4926-7335-4
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 13, 2019
Kirkus Reviews Issue: Aug. 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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