by Darren Lebeuf ; illustrated by Ashley Barron ‧ RELEASE DATE: Sept. 7, 2021
A celebration of city life’s sounds, sensations, and faces.
A blind child introduces readers to their city en route to a violin recital.
Accompanied by their dad, they step out, white cane in hand. In simple, declarative sentences dotted with vivid adjectives and verbs, they narrate the many ways their city “speaks.” “It rushes and stops / and waits and goes” as they navigate a pedestrian crossing. It “grows” as they stroke a sunflower and construction workers build nearby. It’s “busy” as they feed a flock of pigeons and “relaxed” as they lounge with their dad on a park bench. “Sometimes it’s smelly,” they note as they pass a dumpster, and “sometimes it’s sweet” as they sample ice cream flavors. It “speaks with whispers and giggles and sometimes meows” as they ride a subway crowded with racially and ethnically diverse passengers. As they cross one more busy street, it “also speaks with hasty honks, impatient beeps, distant chimes, reliable rumbles, speedy sirens and urgent clangs.” “My city speaks,” they repeat, joining fellow musicians on an outdoor stage, “and sometimes it just listens” as they serenade an appreciative crowd. In a warm finale, the narrator and their dad embrace, beaming. With cheerful, doll-like human figures, Barron’s bright illustrations highlight the quiet tenderness between father and child—a rarely represented duo in books featuring disabled characters. The narrator and their dad have brown skin. (This book was reviewed digitally.)
A celebration of city life’s sounds, sensations, and faces. (Picture book. 4-7)Pub Date: Sept. 7, 2021
ISBN: 978-1-5253-0414-9
Page Count: 32
Publisher: Kids Can
Review Posted Online: July 26, 2021
Kirkus Reviews Issue: Aug. 15, 2021
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by Darren Lebeuf ; illustrated by Ashley Barron
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Jim Valeri
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by Tish Rabe ; illustrated by Sarah Jennings
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by Tish Rabe ; illustrated by Dan Yaccarino
by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: May 16, 2023
Nothing new here but a nonetheless congenial matriculant in publishing’s autumnal rite of back-to-school offerings.
The Crayons head back to class in this latest series entry.
Daywalt’s expository text lays out the basics as various Crayons wave goodbye to the beach, choose a first-day outfit, greet old friends, and make new ones. As in previous outings, the perennially droll illustrations and hand-lettered Crayon-speak drive the humor. The ever wrapperless Peach, opining, “What am I going to wear?” surveys three options: top hat and tails, a chef’s toque and apron, and a Santa suit. New friends Chunky Toddler Crayon (who’s missing a bite-sized bit of their blue point) and Husky Toddler Crayon speculate excitedly on their common last name: “I wonder if we’re related!” White Crayon, all but disappearing against the page’s copious white space, sits cross-legged reading a copy of H.G. Wells’ The Invisible Man. And Yellow and Orange, notable for their previous existential argument about the color of the sun, find agreement in science class: Jupiter, clearly, is yellow AND orange. Everybody’s excited about art class—“Even if they make a mess. Actually…ESPECIALLY if they make a mess!” Here, a spread of crayoned doodles of butterflies, hearts, and stars is followed by one with fulsome scribbles. Fans of previous outings will spot cameos from Glow in the Dark and yellow-caped Esteban (the Crayon formerly known as Pea Green). (This book was reviewed digitally.)
Nothing new here but a nonetheless congenial matriculant in publishing’s autumnal rite of back-to-school offerings. (Picture book. 4-6)Pub Date: May 16, 2023
ISBN: 9780593621110
Page Count: 32
Publisher: Philomel
Review Posted Online: Feb. 24, 2023
Kirkus Reviews Issue: March 15, 2023
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by Drew Daywalt ; illustrated by Oliver Jeffers
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by Drew Daywalt ; illustrated by Lucy Ruth Cummins
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by Drew Daywalt ; illustrated by Oliver Jeffers
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SEEN & HEARD
SEEN & HEARD
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