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A SONG FOR ELLA GREY

Almond brings his hypnotic lyricism to this darkly romantic tale that sings of the madness of youth, the ache of love, and...

Award-winning British novelist Almond (Kit’s Wilderness, 1999; The Fire-Eaters, 2004, etc.) mines the tragic Greek myth of Orpheus and Eurydice in this modern-day love story, told in the voice of Claire Wilkinson, a 17-year-old poet.

Claire loves her childhood friend Ella Grey, and they are “young and bright and free” with their kisses and sleepovers until…“Ha!” Everything changes one spring day when Claire encounters Orpheus, a wild, black-haired, lyre-playing wanderer in a purple coat and Doc Martens, on Northumberland’s Bamburgh Beach. Claire calls Ella on her cellphone from the boozy bacchanalian beach party so her friend can hear the mesmerizing songs that Orpheus plays, enchanting the dolphins, the sea, even the pebbles and sand…and soon wishes she hadn’t. When Orpheus sings for Ella Grey, she falls madly in love with him, sight unseen. “Go to Hell, Orpheus,” Claire whispers. The rest of the tale mirrors the myth: Ella and Orpheus marry, Ella dies by snakebite, and Orpheus enters the beastly Underworld to rescue her from Death, a section of the book effectively distinguished by black paper with white type.

Almond brings his hypnotic lyricism to this darkly romantic tale that sings of the madness of youth, the ache of love, and the near-impossibility of grasping death. (Fiction. 14 & up)

Pub Date: Oct. 13, 2015

ISBN: 978-0-553-53359-0

Page Count: 272

Publisher: Delacorte

Review Posted Online: July 26, 2015

Kirkus Reviews Issue: Aug. 15, 2015

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POWERLESS

From the Powerless Trilogy series , Vol. 1

A lackluster and sometimes disturbing mishmash of overused tropes.

The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.

Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.

A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)

Pub Date: Nov. 7, 2023

ISBN: 9798987380406

Page Count: 538

Publisher: Simon & Schuster

Review Posted Online: Sept. 9, 2023

Kirkus Reviews Issue: Oct. 1, 2023

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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