by David Axe ; Tim Hamilton ‧ RELEASE DATE: March 12, 2013
There’s enough here to make concerned readers want to learn more about Kony, whose forces have dwindled even as he continues...
A graphic narrative illuminates the atrocities of Joseph Kony in Central Africa, yet the horror and the complexities of the story are a challenge for such a short work.
The figures themselves are staggering: By 2011, Kony and his Lord’s Resistance Army “had abducted at least 50,000 people and killed at least 12,000. No fewer than two million people in three countries had been displaced by Kony’s attacks.” Yet it took a viral video titled “Kony 2012” to stir massive public outrage, and even that was undermined when the head of the Invisible Children organization devoted to raising consciousness “cracked under the strain” of the attention. That provocative episode is given short shrift in the narrative, as is much else in a story of little more than 80 pages. Axe (War Is Boring, 2010, etc.) and Hamilton (Ray Bradbury's Fahrenheit 451: The Authorized Adaptation, 2009) don’t fully come to terms with Kony, though they do suggest the difficulty of such a challenge: “Dominated by its mysterious, volatile founder Joseph Kony and governed by a complex body of rules, customs and superstitions, the LRA is ostensibly a fundamentalist Christian religious movement, an army of God. In reality it bears no resemblance to Christian institutions elsewhere. Its methods are rape and pillage. Its major aim is to sustain itself.” The artistic rendering of rape and slaughter is as powerful as it is horrific, and the narrative hits hardest on an individual, human level in the chapter about a young girl, kidnapped by the LRA and forced into “marriage,” and the ongoing trauma after she was rescued at age 13.
There’s enough here to make concerned readers want to learn more about Kony, whose forces have dwindled even as he continues to elude capture, but the condensing of the graphic narrative falls short of the immensity of the barbarism.Pub Date: March 12, 2013
ISBN: 978-1-61039-299-0
Page Count: 128
Publisher: PublicAffairs
Review Posted Online: Jan. 30, 2013
Kirkus Reviews Issue: Feb. 15, 2013
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by R. Crumb ; illustrated by R. Crumb ‧ RELEASE DATE: Oct. 19, 2009
An erudite and artful, though frustratingly restrained, look at Old Testament stories.
The Book of Genesis as imagined by a veteran voice of underground comics.
R. Crumb’s pass at the opening chapters of the Bible isn’t nearly the act of heresy the comic artist’s reputation might suggest. In fact, the creator of Fritz the Cat and Mr. Natural is fastidiously respectful. Crumb took pains to preserve every word of Genesis—drawing from numerous source texts, but mainly Robert Alter’s translation, The Five Books of Moses (2004)—and he clearly did his homework on the clothing, shelter and landscapes that surrounded Noah, Abraham and Isaac. This dedication to faithful representation makes the book, as Crumb writes in his introduction, a “straight illustration job, with no intention to ridicule or make visual jokes.” But his efforts are in their own way irreverent, and Crumb feels no particular need to deify even the most divine characters. God Himself is not much taller than Adam and Eve, and instead of omnisciently imparting orders and judgment He stands beside them in Eden, speaking to them directly. Jacob wrestles not with an angel, as is so often depicted in paintings, but with a man who looks not much different from himself. The women are uniformly Crumbian, voluptuous Earth goddesses who are both sexualized and strong-willed. (The endnotes offer a close study of the kinds of power women wielded in Genesis.) The downside of fitting all the text in is that many pages are packed tight with small panels, and too rarely—as with the destruction of Sodom and Gomorrah—does Crumb expand his lens and treat signature events dramatically. Even the Flood is fairly restrained, though the exodus of the animals from the Ark is beautifully detailed. The author’s respect for Genesis is admirable, but it may leave readers wishing he had taken a few more chances with his interpretation, as when he draws the serpent in the Garden of Eden as a provocative half-man/half-lizard. On the whole, though, the book is largely a tribute to Crumb’s immense talents as a draftsman and stubborn adherence to the script.
An erudite and artful, though frustratingly restrained, look at Old Testament stories.Pub Date: Oct. 19, 2009
ISBN: 978-0-393-06102-4
Page Count: 224
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2009
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by John Kelly ‧ RELEASE DATE: Feb. 1, 2005
Occasionally unfocused, but redeems itself by putting a vivid, human face on an unimaginable nightmare.
A ground-level illustration of how the plague ravaged Europe.
For his tenth book, science writer Kelly (Three on the Edge, 1999, etc.) delivers a cultural history of the Black Death based on accounts left by those who witnessed the greatest natural disaster in human history. Spawned somewhere on the steppes of Central Asia, the plague arrived in Europe in 1347, when a Genoese ship carried it to Sicily from a trading post on the Black Sea. Over the next four years, at a time when, as the author notes, “nothing moved faster than the fastest horse,” the disease spread through the entire continent. Eventually, it claimed 25 million lives, one third of the European population. A thermonuclear war would be an equivalent disaster by today's standards, Kelly avers. Much of the narrative depends on the reminiscences of monks, doctors, and other literate people who buried corpses or cared for the sick. As a result, the author has plenty of anecdotes. Common scenes include dogs and children running naked, dirty, and wild through the streets of an empty village, their masters and parents dead; Jews burnt at the stake, scapegoats in a paranoid Christian world; and physicians at the University of Paris consulting the stars to divine cures. These tales give the author opportunities to show Europeans—filthy, malnourished, living in densely packed cities—as easy targets for rats and their plague-bearing fleas. They also allow him to ramble. Kelly has a tendency to lose the trail of the disease in favor of tangents about this or that king, pope, or battle. He returns to his topic only when he shifts to a different country or city in a new chapter, giving the book a haphazard feel. Remarkably, the story ends on a hopeful note. After so many perished, Europe was forced to develop new forms of technology to make up for the labor shortage, laying the groundwork for the modern era.
Occasionally unfocused, but redeems itself by putting a vivid, human face on an unimaginable nightmare.Pub Date: Feb. 1, 2005
ISBN: 0-06-000692-7
Page Count: 384
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2005
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