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QUIVER RIVER

Name: QUIVER RIVER
Author: David Carkeet
ISBN: 0-06-022453-3

by David Carkeet ‧ RELEASE DATE: Oct. 30, 1991

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A wry sequel to The Silent Treatment (1988): here, summer jobs put high-school seniors Ricky and Nate through a mystery from the past, as well as through some timeless rites of passage. Having to clean toilets and listen to gloomy, sex-obsessed Norman the Foreman seems like a fair exchange for a free stay at Quiver Lake resort, especially with all the college women around; Nate moves into hot (and eventually successful) pursuit of a Berkeley student, but Ricky is more inclined to watch from a distance. Meanwhile, what appear to be new but genuine artifacts of the long-integrated Miwok tribe begin to turn up, and Ricky almost loses his life in a primitive deer trap. Is there still a Miwok alive in the wild? Or, as someone suggests, is it the spirit of a young Miwok who never completed his manhood ritual and is unable to find the Aimah, an anthropomorphic rock formation? Carkeet's characters are portrayed sympathetically but broadly enough to keep the story light. The climax is big and dramatic: Ricky wakes one morning to find that the whole lake has suddenly drained away, exposing not only a field of slick mud but the Aimah, with piles of warm ashes at its crotch and armpits. There's no ghost to be seen, but readers can draw their own conclusions. (Fiction. 12-15)

Pub Date: Oct. 30, 1991

ISBN: 0-06-022453-3

Page Count: 256

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1991

Categories:

CHILDREN'S GENERAL CHILDREN'S

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DON'T CALL ME HERO

by Ray Villareal ‧ RELEASE DATE: Oct. 31, 2011

A good story with some unexpected twists

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After saving the life of a famous model, a 14-year-old Mexican-American boy learns the pressures of popularity and the definition of true heroism.

Dallas freshman Rawly Sánchez knows that life is not perfect. His older brother Jaime is in prison, while his mother’s Mexican restaurant is barely staying afloat. Now, he can’t even visit his brother on Saturdays anymore, or he will miss the required tutoring for the algebra class he is failing. Small bursts of happiness come in the comic books he loves and in hanging out with his nerdy, often-annoying, wisecracking Jewish best friend Nevin Steinberg. Things take a turn for the worse when someone accidentally sets a pig loose in his mom’s restaurant, and the incident makes the local news. Then, Nevin talks Rawly into performing as a duo at the school talent show, where he makes a fool of himself in front of his crush, Miyoko. Everything changes when Rawly misses his bus stop and ends up rescuing 22-year-old model Nikki Demetrius when her car plunges into a river. Instantly, Rawly is on the local and national news, hailed as a hero for saving Nikki’s life. The third-person narration follows Rawley’s journey as he learns who his real friends are and the difference between comic-book and real-world heroes.

A good story with some unexpected twists . (Fiction. 12-15)

Pub Date: Oct. 31, 2011

ISBN: 978-1-55885-711-7

Page Count: 208

Publisher: Arte Público

Review Posted Online: Aug. 30, 2011

Kirkus Reviews Issue: Sept. 15, 2011

Categories:

CHILDREN'S GENERAL CHILDREN'S

- BOOK REVIEW
CHRONICLES OF A LUCHADOR
by Ray Villareal

- BOOK REVIEW
ON THE OTHER SIDE OF THE BRIDGE
by Ray Villareal

- BOOK REVIEW
BODY SLAMMED!
by Ray Villareal

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DUKE ELLINGTON

by James Lincoln Collier ‧ RELEASE DATE: Sept. 30, 1991

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Characterizing Ellington as ``perhaps the most important figure in American music of the 20th century,'' the author looks at the composer's personality and career, focusing especially on his musical strengths and weaknesses. Collier, who has written several books on the history of jazzincluding a longer one on the Dukeclaims that Ellington didn't have the discipline to study either his instrument or music theory and that consequently he never became a brilliant pianist, while his longer compositions lacked cohesive structure. He did have a gifted ear, however, and, in working out musical ideas with his band (his preferred method of composition), he developed a fresh, unique, instantly recognizable sound that led to a long string of hits and standards. Collier succumbs occasionally to Jazz Historians' Diseasetedious recitation of names and personnel changesbut he makes clear what most of the musicians who played with Ellington contributed in the way of special techniques or abilities, while his musical analyses are easy to follow. Brief bibliography and discography. Index not seen. (Biography. 12-15)