An engrossing account of the people and antics that defined the Tassajara monastery in 1967.
This nonfiction collection of stories focuses on people who spent time at a Zen Buddhist monastery in California in the first year of its founding.
Chadwick recounts memories—both his own and others’ recollections gathered via sources like interviews, emails, and podcasts—from the first year of Tassajara, the first Zen monastery in the West. The Carmel Valley monastery was founded in 1967 by Shunryu Suzuki, the abbot of the San Francisco Zen Center, and subsequently witnessed a revolving door of people looking for inspiration, enlightenment, or simply an alternative way of living for a while. The author walks readers through the minutiae of daily life at the monastery, which included a “complex oryoki eating ritual and chanting, which dragged the meal out to an hour with little time for the actual eating.” He also recalls various anecdotes and visitors, explaining different phrases and terminology along the way (“Kobun wore a black monastic work outfit he called samue. Samu was monastic work and ‘e’ meant clothes”). While the stories largely unfold chronologically, there is no particular thread to connect them other than their shared time and place. Chadwick uses short, choppy sentences with minimal adornment, creating a strange sense of monotony—but one that is occasionally broken up by a beautiful description of nature or a particularly memorable event. One such highlight is when the poets Allen Ginsberg, Lawrence Ferlinghetti, and Daniel Moore came to meditate, read verse, sing, and chant mantras. This performance sparks what is surely one of the more delightfully bizarre sentences ever written: “Ginsberg played his harmonium with Ferlinghetti and Moore on Chinese horn and Hindu bells.” Surprisingly (and a bit disappointingly), the book’s focus consistently remains on the physical details of Tassajara and the everyday actions of its inhabitants, with very little personal or spiritual introspection. Still, the thorough and enlightening work achieves its ultimate goal of being an “oral history” by providing unparalleled access to daily life in a remarkable time and place.
An engrossing account of the people and antics that defined the Tassajara monastery in 1967.Pub Date: Sept. 23, 2025
ISBN: 9781958972892
Page Count: 242
Publisher: Monkfish
Review Posted Online: April 23, 2025
Kirkus Reviews Issue: June 15, 2025
Review Program: Kirkus Indie
BOOK REVIEW
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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