Reminiscent of Wallace Stegner’s Angle of Repose in scope and ambition, though the narrative sometimes drags.
Ebershoff (Pasadena, 2002, etc.) takes a promising historical premise and runs with it—perhaps a couple of dozen pages too long.
He juxtaposes the world of modern polygamous families down on the remote Utah-Arizona line with the life of a junior wife of 19th-century Mormon patriarch Brigham Young. Junior in terms of both age and pecking order, Annie Young didn’t much like the gig; she renounced life as a plural wife and broke from the church to publish a book about the horrors of polygamy. Her story inspired much antipathy among Young’s anti-Mormon neighbors; Ebershoff borrows elsewhere from history to recapitulate a San Francisco newspaper’s condemnation of Brigham Young as “a confidence man in the grand tradition of the hoodwinkers of the West.” Meanwhile, in the present, a young Mormon man begins to examine the life he is falling away from, returning to the fictitious town of Mesadale, with its “few hundred houses now, warehouses for a family of seventy-five.” (That would be Colorado City, Ariz., in real life—a place that has recently made national news for its polygamous customs.) Things are not as placid and well ordered as they seem in the red-rock plateau country. Young Jordan’s mom, one of several wives, has apparently shot dear old dad as he was simultaneously gambling and recruiting new companionship online. As for Jordan—well, he’s a mess, doing decidedly unsaintly things in order to keep body and soul together. Many histories intertwine in these pages, and many voices are heard from, ranging from the stately cadences of Victorian steel-nib prose to the most modern lingo. (“Manofthehouse2004: where in st george? / ALBIL: u no the Malibu Inn?”) Apostasy and self-discovery ensue.
Reminiscent of Wallace Stegner’s Angle of Repose in scope and ambition, though the narrative sometimes drags.Pub Date: Aug. 12, 2008
ISBN: 978-1-4000-6397-0
Page Count: 608
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2008
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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