William Edward Burghardt Du Bois (1868-1963) has finally found a Boswell worthy of his achievements as an African-American reformer who fought for human rights in the US and the wider world. In the first part of a projected two-volume biography, Rutgers history professor Lewis (The Race to Fashoda, 1988, etc.) offers a detailed chronicle that puts the eventful origins of a towering figure clearly in the perspective of his troubled times. Born in western Massachusetts less than three years after the abolition of slavery, Du Bois managed to earn a doctorate in history from Harvard. After graduating, he pursued one of the few careers open to educated blacks, that of teaching—at Atlanta University and other institutions. Meanwhile, he published pioneering sociological studies (The Philadelphia Negro, etc.), arranged symposiums, and helped found the Niagara Movement—an all- black group that in 1909 joined forces with liberal whites to form the NAACP. Du Bois left academe to become the NAACP's director of research and publicity as well as editor of its influential magazine, The Crisis. From this bully pulpit, he battled for racial justice; conducted intellectual inquiries (among other matters, on the talented-tenth theory); critiqued the views of rivals like Booker T. Washington (``the great accommodator''); and otherwise played to the hilt the role of outside agitator (he was active in the Pan-African cause as well). Here, he's last seen after a post- WW I congress that called for direct League of Nations supervision of German colonies in Africa, as he himself returns to a society that brutally and methodically excluded ``his people from meaningful citizenship....'' A masterly appreciation of a great man's intellectual development and singular service in a righteous crusade. (Thirty- two pages of photographs—not seen)
Pub Date: Oct. 29, 1993
ISBN: 0-8050-2621-5
Page Count: 700
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1993
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
IN THE NEWS
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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