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SKELLY'S HALLOWEEN

A Halloween anatomy lesson sure to tickle funny bones.

“Head and shoulders, knees and toes. / Trick-or-treating, here we goes!”

Skelly Bones Skeleton is excited for Halloween; after all, skeletons sleep the whole rest of the year, so he likes to really live it up on Halloween. But what should his costume be this year? Not a witch—he couldn’t stay on the broomstick. Not a monster—too scary. A ghost! In no time, he’s ready to go. Only he hadn’t planned on the wind, which catches his sheet and lofts him up and then drops him…in separate pieces. And in a twist that will remind readers of “Humpty Dumpty,” the other trick-or-treaters can’t put Skelly back together correctly—they make him look like them: a snake, an ant, and a chicken. Finally some human kids come by. They’re at first scared by the pile of bones (more so when it talks!), but Skelly convinces them he’s friendly and needs a hand, and once he’s back together, they all set off trick-or-treating together. Richmond’s illustrations, done with pen and ink, foam stamp, and Photoshop, use a palette heavy on purple, orange, and green. Skelly’s personality shines, his eyebrows and mouth doing much of the emoting. The skeleton is an unconnected group of bones, most long and skinny save for the pelvis, which resembles tighty whities, and the skull. The three children include a brown-skinned girl skeleton, a pale-skinned pirate with glasses, and a beige-skinned chef.

A Halloween anatomy lesson sure to tickle funny bones. (Picture book. 4-7)

Pub Date: Aug. 7, 2018

ISBN: 978-1-250-12706-8

Page Count: 32

Publisher: Henry Holt

Review Posted Online: July 15, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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HOW TO CATCH A WITCH

Not enough tricks to make this a treat.

Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.

Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)

Not enough tricks to make this a treat. (Picture book. 4-7)

Pub Date: Aug. 2, 2022

ISBN: 978-1-72821-035-3

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: May 10, 2022

Kirkus Reviews Issue: June 1, 2022

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THE LITTLE GHOST WHO WAS A QUILT

From the Little Ghost Quilt Book series

Halloween is used merely as a backdrop; better holiday titles for young readers are available.

A ghost learns to appreciate his differences.

The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)

Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)

Pub Date: Sept. 1, 2020

ISBN: 978-0-7352-6447-2

Page Count: 48

Publisher: Tundra Books

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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