Not very child friendly, though it’s thought- and conversation-provoking for older readers willing to engage with picture...
A child is too intimidated to speak in a dark, forbidding environment.
Appearing small and isolated among richly detailed, atmospheric, even frightening illustrations that present a bleak, dystopian, mechanistic world where grim uniformity is the norm, the school-age narrator describes feeling misunderstood and alone. Because the child is timid and small and different, the child chooses silence. The world surrounding the narrator is oppressively populated; it’s primarily awash in somber shades of browns, blues, and grays. Both the white-appearing narrator and diverse classmates resemble hollow-eyed, sorrowful automatons and occasionally wear mouse masks. Some students sport peculiar hairdos. It’s unclear if the sober society depicted is real or if the author/illustrator is suggesting that this world feels this strange to the introverted, shy, and quiet. Yet all isn’t hopeless in this disquieting story: Though the narrator seems troubled at being muted, the child possesses a lively imagination and recognizes how important silence is when reading, which is depicted as liberating. At the end, the protagonist is confident that this love of reading will someday enable a powerful voice that will finally be heard. Ouimet overplays his pessimistic hand, for, at this point in the narrative, his colors, oddly, don’t significantly brighten. This is off-putting and belies what seems to be meant as an uplifting, empowering message about books and communication.
Not very child friendly, though it’s thought- and conversation-provoking for older readers willing to engage with picture books. (Picture book. 7-12)Pub Date: March 3, 2020
ISBN: 978-1-324-00443-1
Page Count: 48
Publisher: Norton
Review Posted Online: Nov. 9, 2019
Kirkus Reviews Issue: Dec. 1, 2019
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...
A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.
Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.Pub Date: Oct. 15, 1952
ISBN: 978-0-06-026385-0
Page Count: 192
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 14, 2011
Kirkus Reviews Issue: Oct. 1, 1952
PERSPECTIVES
SEEN & HEARD
Poignant and heartwarming.
Zephyrina the cat, the “Robin Hood of felines,” rescues discarded toys so they can have new lives.
Zephyrina brings toys back to the apartment she shares with Elizaveta and her daughter, Dasha, refugees from war-torn Ukraine. Dasha reconditions Zephyrina’s rescues and sets them outside for three days, just in case they have owners who want to reclaim them. Afterward, they join the other toys in the parlor—the Second Chances Home for the Tossed and Treasured. Dasha and Elizaveta don’t know that the toys are sentient. At midnight they abandon their rigid daytime postures to cavort and play, overseen by their leader, Pocket, a tiny mascot bear made to comfort soldiers during World War I. One night, Zephyrina brings back a dirty old bear, and Pocket is astounded. The new arrival, Berwon, might come from a lost shipment of the first-ever stuffed bears, sent from Germany to the U.S. in 1903—and if so, he’s worth a fortune. In the ensuing antics, the unpleasant villain Picky Vicky covets Berwon, and a kind museum curator does, too, but for different reasons. Applegate’s writing is exquisitely nuanced; she couches profound themes in accessible language that depicts relatable situations. Gentle, generous Elizaveta and Dasha poignantly underscore the human impact of wars. Santoso’s enchanting, delicate, black-and-white illustrations bring the timeless feeling of a classic to this hopeful, humanizing story of the distressed looking out for each other.
Poignant and heartwarming. (author’s note) (Fiction. 8-12)Pub Date: Sept. 9, 2025
ISBN: 9781250904362
Page Count: 272
Publisher: Feiwel & Friends
Review Posted Online: July 3, 2025
Kirkus Reviews Issue: Aug. 1, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
