Cinderella joins Elizabeth in advocating for girl power.
A feminist version of “Cinderella” to suit fans of Robert Munsch’s The Paper-Bag Princess (1980).
This tale begins like the traditional one, with Cinderella slaving away for her stepmother and two stepsisters. But when the day of the prince’s annual ball arrives, she takes matters into her own hands and phones a fairy-godmother service she sees advertised. (Indeed, all of Cinderella’s expectations and dreams are based on ads and magazine articles, a subtle message that most readers will probably miss.) But the fairy godmother who arrives with her animal helpers isn’t anything like what was pictured in the ad. And the dress and slippers and turnip coach the fairy godmother conjures aren’t standard either. Dashed expectations don’t end there, however, as Cinderella discovers when she wins the dance contest (despite a severe wardrobe malfunction) and a solo dance with the prince, who is definitely better in glossy pages than in person. Cinderella’s flight is in earnest, but it quickly becomes a flight to something rather than away: the Girls Only Job Fair gives Cinderella a new lease on life. Barbanègre’s digital illustrations feature bright pastels and a sort of Addams Family sensibility. While the scene inside the job fair features diverse women of all shapes, sizes, and colors, the rest of the book is largely white save for two brown-skinned dance contestants (and the green-skinned fairy godmother!).
Cinderella joins Elizabeth in advocating for girl power. (Picture book. 4-8)Pub Date: Oct. 10, 2017
ISBN: 978-1-101-91898-2
Page Count: 32
Publisher: Tundra Books
Review Posted Online: Aug. 1, 2017
Kirkus Reviews Issue: Aug. 15, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
BOOK REVIEW
Just the thing for anyone with a Grinch-y tree of their own in the yard.
A grouchy sapling on a Christmas tree farm finds that there are better things than lights and decorations for its branches.
A Grinch among the other trees on the farm is determined never to become a sappy Christmas tree—and never to leave its spot. Its determination makes it so: It grows gnarled and twisted and needle-less. As time passes, the farm is swallowed by the suburbs. The neighborhood kids dare one another to climb the scary, grumpy-looking tree, and soon, they are using its branches for their imaginative play, the tree serving as a pirate ship, a fort, a spaceship, and a dragon. But in winter, the tree stands alone and feels bereft and lonely for the first time ever, and it can’t look away from the decorated tree inside the house next to its lot. When some parents threaten to cut the “horrible” tree down, the tree thinks, “Not now that my limbs are full of happy children,” showing how far it has come. Happily for the tree, the children won’t give up so easily, and though the tree never wished to become a Christmas tree, it’s perfectly content being a “trick or tree.” Martinez’s digital illustrations play up the humorous dichotomy between the happy, aspiring Christmas trees (and their shoppers) and the grumpy tree, and the diverse humans are satisfyingly expressive.
Just the thing for anyone with a Grinch-y tree of their own in the yard. (Picture book. 4-8)Pub Date: Aug. 6, 2019
ISBN: 978-1-4926-7335-4
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 13, 2019
Kirkus Reviews Issue: Aug. 1, 2019
BOOK REVIEW
BOOK REVIEW
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