When “Chick blows his trumpet the wallpaper curls,” but he is some kind of forgetful. Nephew and aspiring clarinetist C.J. takes it upon himself to track down his uncle’s errant hat in time for his appointment with the photographer from Highnote magazine, and as he stops in at Chick’s hangouts, the news about the photographer spreads. C.J. arrives home downcast and without the hat, but trailing in his wake are a crowd “of the greatest musicians and singers in Harlem. It was like seeing the sun, the moon, and the stars all shining at once.” While they are inspired by the great Art Kane photograph, Harlem 1958, picture-book newcomers Taylor and Morrison do not seek to tell its story; rather, they riff on the possibilities, turning the focus from the already-famous to the child who hopes to be someday. The text adopts a jazzy inflection, with dialogue that’s hipper than hip, but it’s the illustrations that really zing. Bright acrylics abandon realism to emphasize rhythm, elongated forms moving sinuously against backgrounds that curve, slant, and boogie-woogie—but almost never stay still. Nearly pitch-perfect. (Picture book. 5-8)
Pub Date: May 1, 2004
ISBN: 1-58430-165-1
Page Count: 32
Publisher: Lee & Low Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2004
One of the watershed moments in African-American history—the defeat of James Braddock at the hands of Joe Louis—is here given an earnest picture-book treatment. Despite his lack of athletic ability, Sammy wants desperately to be a great boxer, like his hero, getting boxing lessons from his friend Ernie in exchange for help with schoolwork. However hard he tries, though, Sammy just can’t box, and his father comforts him, reminding him that he doesn’t need to box: Joe Louis has shown him that he “can be the champion at anything [he] want[s].” The high point of this offering is the big fight itself, everyone crowded around the radio in Mister Jake’s general store, the imagined fight scenes played out in soft-edged sepia frames. The main story, however, is so bent on providing Sammy and the reader with object lessons that all subtlety is lost, as Mister Jake, Sammy’s father, and even Ernie hammer home the message. Both text and oil-on-canvas-paper illustrations go for the obvious angle, making the effort as a whole worthy, but just a little too heavy-handed. (Picture book. 5-8)
Pub Date: May 1, 2004
ISBN: 1-58430-161-9
Page Count: 32
Publisher: Lee & Low Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2004
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
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