by Dee Brown ‧ RELEASE DATE: June 26, 1998
An amiable, rather autumnal novel about the coming-of-age of an orphan during the Civil War, by a prolific western historian (The American West, 1994) and novelist (Conspiracy of Knaves, 1987, etc.). In a lively, appropriately picaresque narrative, Ben Butterfield, in the twilight of the 19th century, looks back at his life on the frontier and muses about the great love of his life. Orphaned under mysterious circumstances, Ben spent a hardscrabble childhood in Texas before falling in with the laconic (and somewhat lethal) scout Johnny Hawkes, a man supremely skilled in all matters having to do with horses. In 1862, Johnny and Ben, an adolescent, are recruited, by an arrogant and somewhat duplicitous Union officer, to drive two camels captured from the Confederate forces north to St. Louis, through the bloody, contested territory of Kansas and Missouri. Along the way they encounter outlaws, Confederates, a variety of hapless Union troops chasing both groups, some happily homicidal townspeople, and a young woman, Queen Elizabeth Jones, passing herself off as a boy. Elizabeth, Ben, Johnny, and the harried handler of the camels, an Egyptian named Hadjee, survive assaults and adventures, and Ben and Elizabeth, despite the obstacles, get the camels through. Meanwhile, Ben, confronted with crises and betrayals, grows up and falls in love with Elizabeth. Brown has a deft hand with dialogue, giving it a believable tang without overdoing the regional color, and his portraits of a war- ravaged countryside, devastated farms, and hard-bitten groups of men hunting each other across a harsh landscape are memorable and convincing. Ben, Elizabeth, and Johnny go on to join a circus, but their lives as entertainers, and the tragic end of Ben’s romance, are treated in a somewhat desultory fashion. Still, this is a sweet-natured, vigorous, colorful entertainment, and a compelling portrait of the frontier.
Pub Date: June 26, 1998
ISBN: 0-312-86612-7
Page Count: 352
Publisher: Forge
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1998
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adapted by Dwight Jon Zimmerman & by Dee Brown
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by Dee Brown
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by Dee Brown
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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