Female-forward in all sorts of ways—quite a change of pace for the legendary gumshoe.
The versatile Mina adds still another arrow to her quiver in this authorized pastiche in which Raymond Chandler’s hard-boiled private eye searches for a woman who definitely doesn’t want to be found.
In fact, Marlowe’s strong impression is that wealthy LA patriarch Chadwick Montgomery III doesn’t really want to find Chrissie, his daughter and heir; he’s chosen Marlowe’s one-man agency, the narrator/hero decides, to look for her because he wants to keep the investigation under wraps and end in failure. Instead, Marlowe locates Chrissie, who was “easier to find than an optimist in a casino,” in less than a day and then has to decide what to do next. Chrissie would rather work as “Joan Baudelaire” at Peggy Zimmerman’s art gallery than return to the home of her intolerant, abusive father and his enigmatic secretary, Anneliese Lyle. The decision about her fate isn’t Marlowe’s alone, however, since the all-female detective agency headed by Anne Riordan, whom Marlowe met 83 years ago in Farewell, My Lovely, turns out to be on her trail as well. When Marlowe discovers Chrissie—who’s gone to the seedy Brody Hotel apparently to meet a nonexistent fellow named Peter West—standing over the corpse of a man who reportedly died months ago several thousand miles away, the case instantly becomes more urgent. But Mina’s pastiche, less literal than Robert B. Parker’s Poodle Springs (1989) and less glum than Benjamin Black’s The Black-Eyed Blonde (2014), is more playful in its early stages, as Mina cheekily piles on Marlowe’s trademark similes, though it darkens considerably as it approaches its fade-out.
Female-forward in all sorts of ways—quite a change of pace for the legendary gumshoe.Pub Date: Aug. 1, 2023
ISBN: 9780316265645
Page Count: 272
Publisher: Mulholland Books/Little, Brown
Review Posted Online: May 9, 2023
Kirkus Reviews Issue: June 1, 2023
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
High art meets low life in a tale a lot more sympathetic to the latter.
Someone is stalking the streets of Lt. Eve Dallas’s New York, intent on bringing new life to sex workers by snuffing out their old ones.
In 2061, prostitutes are called licensed companions, and that’s Leesa Culver’s job description when she’s accosted by a plausible-looking artist who wants to hire her as a model for the night. Before the night is over, she’s been drugged, strangled, costumed, and posed as an uncanny replica of Vermeer’s Girl With a Pearl Earring. The shock of the crime is deepened by the murder the following night of licensed companion Bobby Ren, whose body is discovered at an art gallery entrance costumed and posed as Gainsborough’s Blue Boy. The killer clearly has an obsessive agenda, a rapid-fire timetable, and access to unlimited financial resources that have allowed him to commission expensive custom-made outfits for the victims. This last detail both marks his power and points to the way Dallas, her gazillionaire husband, Roarke, and her sidekick, Det. Delia Peabody, will track him down by methodically narrowing the field of consumers who’ve purchased the costly costumes. After identifying the guilty party two-thirds of the way through the story, they’ll still face an uphill battle convicting a killer with no conscience, no respect for the law, and a budget that would easily cover the means to jump bail, remove his ankle tracker, and hire a private jet to escape to a foreign land with no extradition treaty. Robb keeps it all consistently absorbing by sweating every procedural detail along with her heroine. Only Dallas’ climactic interrogation of her prisoner is a letdown, because it’s perfectly obvious how she’s going to wangle a confession out of him.
High art meets low life in a tale a lot more sympathetic to the latter.Pub Date: Sept. 2, 2025
ISBN: 9781250370822
Page Count: 368
Publisher: St. Martin's
Review Posted Online: May 16, 2025
Kirkus Reviews Issue: June 15, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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