As hinted in the title, Francis has altered his formula a bit this time. Instead of one decent, reluctant hero, here there are two: the Derry brothers, who fight the same monster-villain. . .but 14 years apart. First we meet 30-ish narrator Jonathan Derry, a physics teacher who is given some computer-tapes (for safe-keeping) by a pal. And when the pal promptly dies in a boat explosion, a couple of thugs pay Jonathan a visit—who, since he happens to be an Olympic marksman, fends them off with a gun. What's on these precious tapes, then? Well, as Jonathan sleuthfully discovers, the tapes contain a fool-proof horserace-betting system—stolen from an ancient widow (her gambler-husband created the system). So Jonathan tries to keep the tapes from the thugs—but thug Angelo, who has already killed at least once in his tape-pursuit, now takes Jonathan's wife hostage; and our ingenious hero must use both physics and marksmanship to rescue wife Sarah (along with their rocky relationship) and get Angelo sent to prison. The end? Hardly. Suddenly it's 14 years later, Jonathan is teaching in California, but his kid brother William (now 29) is in England, managing the many racehorses of an American tycoon. And when raging bull Angelo is released from prison, monstrously vengeful, he goes after nartutor #2 William—who decides to try to make permanent peace: he bashes Angelo, locks him in a cellar, gets hold of those notorious tapes (which Jonathan long ago gave to a schoolteacher chum), and gives them to the now-subdued Angelo. The end? Not quite. Because, unbeknownst to William, those tapes are fatally flawed, and Angelo soon believes that William has tricked him—which means that there's more mayhem ahead before the Derrys can rest easy. True, as you may have gathered, the horses are pretty much in the background this time (though nicely so). And there's a thinness of emotional texture in the blow-by-blow second half. (One can't help wondering how much more powerful the book would have been if Jonathan were killed by Angelo.) But, if not as informative or affecting as prime Francis, this is topnotch, nonstop entertainment: ironic, clever, exciting, and—even when rip-roaringly violent—thoroughly warmhearted.
Pub Date: April 16, 1982
ISBN: 0425198774
Page Count: 380
Publisher: Putnam
Review Posted Online: March 29, 2012
Kirkus Reviews Issue: April 1, 1982
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
BOOK TO SCREEN
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