The fairy-tale characters and details of the country-music scene are so much fun you won't mind the silly plot.
A singer/songwriter at the beginning of her career is befriended by a retired country-music luminary, but will the young woman's past destroy her before her star can ascend?
"Underneath that sweet, doll-faced exterior, there was something fierce and furious about AnnieLee Keyes. Some dark pain powered those pipes; Ruthanna was sure of it." Like Bill Clinton before her, Parton has hooked up with Patterson to channel the details of her profession into a thriller framework—and in this case, to provide an album of songs purportedly written by the three main characters to be released at the same time. When we meet AnnieLee, she is on the run, hitchhiking to Nashville to escape some mysterious nightmare situation. Standing in the rain, she starts singing to herself: "Is it easy / No it ain't / Can I fix it? / No I cain't." This will become "Woman Up (and Take It Like a Man)," one of the songs she debuts in a roadside dive called the Cat's Paw, begging a place on the stage and playing a borrowed guitar before slinking off to sleep in a public park. But she has already been noticed by Ethan Blake, a handsome Afghanistan veteran–turned–Nashville session player and secret songwriter—"Demons, demons, we've both had enough of our own / Demons, demons, we don't have to fight them alone." He will take word of this tiny, skittish prodigy to his boss, the beloved Ruthanna Ryder, who has stepped back from a mega-career after personal tragedy—and who happens to own the Cat's Paw. Ruthanna, who recalls the great Parton in coiffure, jewelry, generosity, and business know-how, sees her former self in AnnieLee—"Big dreams and faded jeans / Fit together like a team"—and immediately goes to work to help her climb the slippery ladder of stardom. But between AnnieLee's durn pride and the vicious, violent marauders who are on her tail, it won't be easy. Good thing Patterson was there to give Ethan those military superhero moves. Showdown in Vegas, y'all!
The fairy-tale characters and details of the country-music scene are so much fun you won't mind the silly plot.Pub Date: March 7, 2022
ISBN: 978-0-7595-5434-4
Page Count: 448
Publisher: Little, Brown
Review Posted Online: Dec. 14, 2021
Kirkus Reviews Issue: Jan. 1, 2022
SEEN & HEARD
SEEN & HEARD
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
As the prosecutor sadly observes: “All this because of a dead buffalo.”
Idyllic Catalina Island turns out to be just as crime infested as the rest of Los Angeles County in the latest series launch by the creator of Harry Bosch, Renée Ballard, and the Lincoln Lawyer.
Det. Sgt. Stilwell has been bounced off the county homicide squad and rusticized to Catalina, where the exclusive Black Marlin Club won’t admit even four-term Avalon Mayor Doug Allen to full membership and the most serious infraction seems to be the killing and cutting up of a buffalo, presumably by Henry Gaston, who operates Island Mystery Tours when he’s not threatening endangered species. All that changes with the discovery of a body sunk in the surrounding waters. The corpse, most recognizable by its streak of purple hair, is that of Leigh-Anne Moss, a Black Marlin server recently fired for fraternizing with members and guests she sees as potential sugar daddies. Stilwell is sufficiently invested in her murder to compete vigorously over jurisdiction with Rex Ahearn, the LA County homicide detective who kept his job when Stilwell lost his. Their rivalry, fueled by mutual contempt, is only the first hint that Stilwell will end up fighting his counterparts in law enforcement and local government at least as hard as he fights crooks like hit man Merris Spivak and Oscar “Baby Head” Terranova, Henry’s boss, who comes under sharper scrutiny when Henry disappears and ends up dead himself. Connelly handles his hero’s obligatory romance with assistant harbormaster Tash Dano and his increasingly wary alliance with assistant D.A. Monika Juarez with equal professionalism, and if the wrap-up leaves some loose ends dangling, well, that’s what franchises are for.
As the prosecutor sadly observes: “All this because of a dead buffalo.”Pub Date: May 20, 2025
ISBN: 9780316588485
Page Count: 352
Publisher: Little, Brown
Review Posted Online: April 19, 2025
Kirkus Reviews Issue: May 15, 2025
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