A smart, funny, and sneakily terrifying version of the way we live now. (Do not read without working air conditioning.)
In the throes of a sanity-destroying summer, a Toronto woman explores a dangerous new hobby.
It’s not just hot, it’s an “end-of-days climate that increasingly resembled an Old Testament Hell.” In fact, thinks Beatrice Billings, “It could rain frogs now and humanity would take it in stride….Oh, it’s always rained frogs....She knew our Saviour had thrown in the towel and gone back to His golf game, and knew that mankind deserved to be punished. Certainly Bea deserved it.” Why does Bea, a 49-year-old Toronto art dealer with a son in college and a shaky marriage, think she deserves punishment? It begins on just another day she’s stuck in her empty gallery feeling lonely, bored, stressed out, and claustrophobic. She Googles “escape.” One video later, she’s sending away for a lock-picking kit. Not long after, she joins a lock-picking club; turns out, she’s very good at it. Next thing she knows, she's trailing a woman who’s just paid cash for a $1,500 dress. She returns to the woman’s home the next day, gets in fairly easily, and leaves with a rich store of knowledge about the lives of this woman and her husband—and also the dress. It doesn’t stop there for Bea, though after the first time, stealing isn’t part of the routine. She does tend to leave marks of her uninvited visits, at one house typing a Descartes joke into a crappy philosophy manuscript and, at another, phoning in a tip to a suicide hotline. Gillmor does an impressive job of keeping Bea not just sympathetic but even normal-seeming as this outlandish summer progresses. She does all she can for her mother, who’s in memory care; she’s patient with her annoying sister, who has lots of opinions while not contributing at all; she misses her son, whose presence in her life has been reduced to infrequent texts, not to mention her husband, who’s drifted as far from her as she has from him. As for breaking and entering? The genius of this book is to capture the exact way a familiar world of aging parents and divorcing friends and nice charcuterie platters could go right around the bend. Oh, you know, it’s always rained frogs.
A smart, funny, and sneakily terrifying version of the way we live now. (Do not read without working air conditioning.)Pub Date: Aug. 15, 2023
ISBN: 9781771965231
Page Count: 240
Publisher: Biblioasis
Review Posted Online: Aug. 10, 2023
Kirkus Reviews Issue: Sept. 1, 2023
PERSPECTIVES
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
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