An engrossing blend of history and literary contrivance.
In Samson’s historical novel, an aspiring scribe in a late 14th-century Swiss town is drawn into the race to find a spy working for the French.
Sixteen-year-old Benedictus Waisel lives in Solodurum, a quirky town that superstitiously fetishizes the number 11—for the residents, a dozen is always one fewer than what everyone else understands. Benedictus hails from generations of stonemasons, but he plans to break family tradition and become a scrivener, a dream imparted to him by his beloved grandfather, who taught him how to read. However, after he discovers he simply can’t afford to join the Scriveners Guild or pay for an apprenticeship, he joins the City Guard and soon distinguishes himself defending Solodurum’s borders from invading French forces (“you opened the breach in their line, you know. I saw it all. That took a lot of courage”), becoming grievously wounded. Baron Roland de Cornu takes notice of Benedictus—it is uncommon that a guard can read—and makes him a kind of personal assistant in his hunt for a traitor he is convinced has infiltrated the city and is aiding the French. The author weaves together fact and fiction in such a way that they are “happily married at the altar of Imagination,” deftly drawing from the town’s rich history. At the heart of the tale is its fascinating protagonist—on the one hand, Benedictus is a shiftless teen adrift in meandering irresoluteness, but on the other hand, he is a young man of great intelligence and honor capable of extraordinary bravery. The plot pinballs erratically at times from one dramatic episode to another, but from this cacophony of events emerges a coherent narrative, captured with great subtlety in Benedictus’ fictional memoir. Samson takes the reader on an edifying tour of a vanished world, and in the process beguiles with a thoroughly entertaining tale.
An engrossing blend of history and literary contrivance.Pub Date: April 14, 2024
ISBN: 9781732537255
Page Count: 276
Publisher: N/A
Review Posted Online: March 20, 2025
Kirkus Reviews Issue: June 1, 2025
Review Program: Kirkus Indie
BOOK REVIEW
An unwieldy but emotionally intense fantasy.
In the Riew siblings’ debut, inspired by their Korean grandparents’ experiences during Japan’s early-20th-century colonization of Korea, a hunt is on for the last surviving tiger.
In the Tiger Colonies, this fantasy world’s version of occupied Korea, tigers have been nearly wiped out by the Dragon Empire. These oppressive rulers believe that tiger ki, or powers, strengthen the Tiger people, and therefore, the animals must be exterminated. Lee Seung, who’s from a poor Tiger family, works for the wealthy Chois, a Tiger family who collaborate with the Dragons. Choi Eunji might live in material comfort, but her home feels like “a cage” thanks to her parents’ high expectations and control of her every move. She offers to tutor Seung for the Adachi Training Academy’s entrance exam; graduates attain elite, powerful positions. In return he’ll help Eunji experience life outside her cloistered manor. Despite their class differences, both teens long for freedom, but Seung fails the exam, and their paths diverge. They reunite during a frantic search for the last tiger—but are their motivations aligned? Some plot developments feel contrived, and the introduction of real historical elements at times feels deliberately educational rather than naturally emerging from the story. Nevertheless, the story vividly highlights the plight of Koreans during a traumatic era.
An unwieldy but emotionally intense fantasy. (authors’ note, diary excerpts) (Fantasy. 12-18)Pub Date: July 29, 2025
ISBN: 9798217002047
Page Count: 416
Publisher: Kokila
Review Posted Online: May 3, 2025
Kirkus Reviews Issue: June 1, 2025
A sparse, beautifully drawn story about a teen discovering her heritage.
In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.
Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.
A sparse, beautifully drawn story about a teen discovering her heritage.Pub Date: March 15, 2018
ISBN: 978-1-55379-678-7
Page Count: 48
Publisher: HighWater Press
Review Posted Online: Feb. 28, 2018
Kirkus Reviews Issue: May 1, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
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