The briefing, one of a very few fixed points in Miss Lessing's self-styled "inner space fiction," takes place well above the clouds at a conference where Minna Err and Merk Ury (oh dear) decide to send some delegates to Hell, or Earth, to reclaim the planet from aggressiveness and irrationality and "separativeness." (The latter is an important contention in this driven polemic namely to the effect that it should not be "I.I.I.I." but We.) Those sent will be totally disassociated and will struggle and struggle to wake up, if at all. Like the at first unidentified man in Central Intake Hospital who is totally amnestic and spends the first third of this book cycling around and around and in and out and in and through a prismatic primordial world (from a raft at sea to the land to the ruins of a stone city). Eventually he will be enclosed in a "bell of light" where everything is fused and influenced by the pull of galactic forces. All of this section is accomplished in a violent blaze of lyricism. In the second half of the book the patient has been subdued and there are the attempts to bring him back — he's a professor — via his wife and friends and the diametrically opposed efforts of attending Drs. Y. & Z. Readers of The Four-Gated City will remember Miss Lessing's earlier projection of madness and strong attack against psychiatric techniques and resources. When last seen the professor has been returned to his work and family and one never knows whether or not he will retrieve what he has been trying to remember in these weeks of vertiginous submersion. As for the reader (this time certainly a more reluctant reader than Doris Lessing usually attracts), what will he remember from this imaginative spin-off of cosmic abstractions and sometimes arbitrary judgments? Perhaps only the primary message of the book that the individual is only a small part of humanity which is in turn only a small part of that grand design.
Pub Date: Feb. 1, 1971
ISBN: 0307390616
Page Count: 317
Publisher: Knopf
Review Posted Online: Sept. 28, 2011
Kirkus Reviews Issue: Feb. 1, 1971
BOOK REVIEW
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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