Lyrical, absurd, and full of wonder.
Two kids tempt gulls in a contemplative exploration of a hot summer day.
Hiding from the sun in an abandoned car in a parking lot next to the Sea Hotel, two youngsters hatch a plan. Contending with boredom on an endless day and the sticky heat, they decide to surround the car with French fries to attract sea gulls. They “salt The Sea” with littered fries and spread globs of strategically placed ketchup (“The garbage gulls can be picky,” after all). Then they wait, quietly listening for impending wings. “A few crunched bags summon squawks,” and suddenly the air is filled with gulls. “Our constellation of crumbs gathers beasts of the streets.” The flapping cacophony suddenly lifts the car and takes it to the beach! The Sea Hotel becomes the sea itself, and the youngsters’ imaginations take flight. With curved edges and rusted orange tones, Fassler’s art melts in the heat, while Plourde’s languid text both lulls and delights. The book is a dazzling debut for this author/illustrator duo. While the wonderfully surreal tale may perplex very young or more literal-minded readers (although they may be most in need of its charms), it’s a beautiful meditation that slips the audience directly into one sticky, summer moment in time. Both kids present white.
Lyrical, absurd, and full of wonder. (Picture book. 4-8)Pub Date: June 4, 2024
ISBN: 9781525307089
Page Count: 32
Publisher: Kids Can
Review Posted Online: March 23, 2024
Kirkus Reviews Issue: April 15, 2024
BOOK REVIEW
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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