Down-to-earth action tackles an otherworldly mystery in this devilishly plausible yarn.
Two desiccated corpses aren’t the strangest discoveries made by archaeologists in this third entry of Preston and Child’s unusual crime series.
Nora Kelly is summoned to her boss’s office at the Santa Fe Archaeological Institute and assigned to investigate the site where an unidentified aircraft, perhaps a UFO, supposedly crashed in 1947. She believes that claims of an alien space landing near Roswell are “wacko.” But billionaire Lucas Tappan has provided a generous grant to the institute, and he specifically wants Nora to lead the expedition because of her reputation. She declines and is fired. So Tappan comes to her directly. But “I can’t put digging up UFOs on my resume,” she tells Skip, her less-skeptical brother. “It’s too weird.” Tappan wears her down and hires them both. Reluctantly she takes a team to the area, where they uncover a pair of corpses buried in New Mexico’s high desert. They notify the police, and FBI agent Corrie Swanson takes on the case because they’re on federal land. But the depression in the sand suggests that the vehicle—a flying saucer, maybe?—had struck the ground at a low angle and skipped repeatedly, like a flat rock across a pond. When they come to a possible final resting place, the archaeologists start digging. Just as they are about to make a shocking discovery, armed men stop them. Whatever is under a couple of meters of earth is a secret the government has closely guarded since the ’40s, and these dudes demonstrate that they will kill intruders on the spot. Kelly and Swanson aren’t friends, but they’ve worked well together ever since they debuted in Old Bones (2019), and they are smart, strong, and appealing protagonists. The story has tension, mystery, murder, and enough romance to give Kelly “a powerful glow, a whole-body tingle.”
Down-to-earth action tackles an otherworldly mystery in this devilishly plausible yarn.Pub Date: Feb. 15, 2022
ISBN: 978-1-5387-3675-3
Page Count: 400
Publisher: Grand Central Publishing
Review Posted Online: Dec. 14, 2021
Kirkus Reviews Issue: Jan. 1, 2022
Maybe not the most thrilling thriller, but the role of AI in coping with grief gives this novel pathos and interest.
A widowed and disgraced plastic surgeon is drawn into a Russian oligarch’s evil schemes.
Witherspoon’s adult fiction debut, co-authored with thrillermeister Coben, opens as heart surgery performed by Dr. Marc Adams in a North African refugee camp is interrupted by the explosive invasion of armed militants. It's the last we will see of Marc in this dimension. The next chapter jumps ahead one year to a ceremony at Johns Hopkins University in Baltimore where his widow, Maggie McCabe, is supposed to be presenting an award in honor of her mother. Miserable and anxious about appearing in public after having lost her medical license, she consults with her late husband on her phone—not via supernatural means, but using a "griefbot," an amazingly lifelike and functional AI app created by her genius sister, Sharon. Once the griefbot coaxes her to brave the sneering masses, she learns she’s been replaced on the podium anyway. But she runs into a former professor, a celebrity plastic surgeon, who requests a meeting with her at his office in New York and won’t take no for an answer. Next thing she knows, there’s $10 million in her bank account and she’s on a private plane heading to a palace outside Moscow where she’s been engaged to perform off-the-record surgery on billionaire Oleg Ragoravich (new face) and his girlfriend, Nadia (new boobs). And…we’re off. A whirl of surgeries, chases, and escapes ensues as Maggie gradually comes to understand who these people are and what they have in mind for her, and how it connects to Marc and their missing friend and business partner, Trace Packer. She is aided by her delightful father-in-law, Porkchop, owner of a biker bar in New York City and a very handy guy to have on your team if you've run afoul of an international criminal organization. From the palace in Rublevka the action moves to Dubai and then Bordeaux, climaxing in a high-stakes illegal heart transplant. But wait—is Marc really dead? What happened to Trace? Who is Nadia really? Though these smoldering questions don’t quite catch fire, it's a good first try for Witherspoon.
Maybe not the most thrilling thriller, but the role of AI in coping with grief gives this novel pathos and interest.Pub Date: Oct. 14, 2025
ISBN: 9781538774700
Page Count: 352
Publisher: Grand Central Publishing
Review Posted Online: Oct. 15, 2025
Kirkus Reviews Issue: Dec. 1, 2025
SEEN & HEARD
SEEN & HEARD
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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