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THE DAY THE CRAYONS CAME HOME

This new cast of crayons will entertain readers, and admirers of the first book will be pleased to see a few familiar...

Duncan’s crayons are back in this comical sequel to The Day the Crayons Quit (2013), and this time they need to be rescued.

Maroon is broken and has been stuffed between the couch cushions, Turquoise got stuck to a sock in the dryer, and Orange and Yellow have melted together in the hot sun. Though a few crayons might have been more aptly placed in the first book—Pea Green has run away because no one likes peas or the color pea green—Daywalt and Jeffers still manage to treat readers to a new story. Mixed-media illustrations, done with crayons and photographic postcards, introduce lively new scenery and brilliant characters. Big Chunky Toddler Crayon is desperate to escape from Duncan’s baby brother; Neon Red is on a cross-country trip back to Duncan’s house after having been left behind on a family vacation; and Glow in the Dark needs rescuing from the sinister basement. Both Neon Red and Glow in the Dark are reproduced with astounding vibrancy, and readers who turn out the lights while viewing Glow in the Dark’s postcard are in for a real surprise. Fans of Jeffers will be charmed when they discover characters from his previous works hidden in the postcards’ stamps.

This new cast of crayons will entertain readers, and admirers of the first book will be pleased to see a few familiar colors. (Picture book. 3-7)

Pub Date: Sept. 18, 2015

ISBN: 978-0-3991-7275-5

Page Count: 48

Publisher: Philomel

Review Posted Online: June 28, 2015

Kirkus Reviews Issue: July 15, 2015

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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DIGGERSAURS

Count on construction die-hards falling in love, but discerning readers would be wise to look elsewhere for their...

Less ambitious than Chris Gall’s widely known Dinotrux (2009) and sequels, this British import systematically relegates each dinosaur/construction-equipment hybrid to its most logical job.

The title figures are introduced as bigger than both diggers and dinosaurs, and rhyming text and two construction-helmeted kids show just what these creatures are capable of. Each diggersaur has a specific job to do and a distinct sound effect. The dozersaurus moves rocks with a “SCRAAAAPE!!!” while the rollersaurus flattens lumps with a cheery “TOOT TOOT!!” Each diggersaur is numbered, with 12 in all, allowing this to be a counting book on the sly. As the diggersaurs (not all of which dig) perform jobs that regular construction equipment can do, albeit on a larger scale, there is no particular reason why any of them should have dinosaurlike looks other than just ’cause. Peppy computer art tries valiantly to attract attention away from the singularly unoriginal text. “Diggersaurs dig with bites so BIG, / each SCOOP creates a crater. // They’re TOUGH and STRONG / with necks so long— / they’re super EXCAVATORS!” Far more interesting are the two human characters, a white girl and a black boy, that flit about the pictures offering commentary and action. Much of the fun of the book can be found in trying to spot them on every two-page spread.

Count on construction die-hards falling in love, but discerning readers would be wise to look elsewhere for their dino/construction kicks. (Picture book. 3-6)

Pub Date: April 2, 2019

ISBN: 978-1-9848-4779-9

Page Count: 32

Publisher: Random House

Review Posted Online: Jan. 14, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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