A smart, charming debut.
A Pakistani exchange student does her best to adjust to American life in this witty coming-of-age story.
“There’s a strain of story this could fall into,” says Hira, the narrator of Amna’s debut novel. “The foreigner trying to fit in, hindered by accent and Fahrenheit and the Imperial system….The entranced documenter of America. The truth—I was bloody bored.” Hira, 16 when the novel begins, is a stranger in a not-so-strange land—she’s come from Pakistan to rural Oregon on a student exchange program. She’s heard plenty about the U.S. (“Lord, it was 2010, and everyone knew about America, the place that would upsell you on the thread count for your deathbed”), though she isn’t quite prepared for life in the tiny town of Lakeview, where her host mother, Kelly, lives with her high school–aged daughter, Amy. Hira befriends a few people at her new school, including Hamid, an Omani exchange student who’s fonder of the States than she is: “He was only mystified by the country, while I had also decided to be offended by it at every possible turn.” While Hira starts to get used to the U.S., befriending members of her school’s volleyball team, she finds herself both missing and resenting her parents, and things take a turn when tragedy strikes her family not long after she’s diagnosed with tuberculosis, forcing her to quarantine in Kelly’s house. In Hira, Amna has created a fascinating character, prickly but still vulnerable, in search of something but unsure what that might be: “I was tired of limits, aghast that life could be so small,” she reflects. Amna’s novel is a perceptive look at what home means—“It is the sole landscape of dreams, the only place that will ever convince you that its failings, its bounties, its excesses, and caresses are all your own. After all, where does it end and you begin?” This is a funny and affecting novel, understated but powerful, a wonderful new spin on the coming-of-age story.
A smart, charming debut.Pub Date: Aug. 16, 2022
ISBN: 978-1-9509-9449-6
Page Count: 288
Publisher: Arcade
Review Posted Online: May 24, 2022
Kirkus Reviews Issue: June 15, 2022
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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