This sequel to Not a Day Goes By (2000) delivers plenty of catty dish with a dash of sentimentality. Fans of Harris, who...
Delicious diva Yancey Harrington Braxton’s grand scheme to make her showbiz comeback is complicated by her newly sprung jailbird mother—and a painful secret from the past.
Her career trajectory cooling off, actress/singer Yancey finds herself in Miami starring in a production of Dreamgirls, a gig that offers her a steady paycheck but nowhere near the adulation to which she feels entitled. Acutely aware that she is not getting any younger and contemplating selling the pricey New York City townhouse she can no longer afford, Yancey sees her luck improving when she meets oh-so-fine S. Marcus Pinkston outside a Miami club. Great in bed and loaded (he drives an Aston Martin, no less), S. Marcus certainly seems to be smitten with his new lady and even offers to boost her back on top by getting Yancey her own reality-show deal. Sweet! But while that is being worked out, and unbeknownst to Yancey, her mother Ava is released early from prison, where she was serving time for killing a man. A nasty piece of work who makes the self-centered Yancey seem like a kindergarten teacher, Ava claims she is eager to reconnect with her only child, but secretly plots revenge, blaming Yancey for ruining her life. She moves into her daughter’s house and enlists dimwitted fellow ex-con Lyrical and her drug-dealing thug boyfriend Donnie Ray to help with her plan. Meanwhile, Yancey learns that the daughter she gave up while in college has grown into teen singing sensation Madison B, a sweet girl raised well by Yancey’s ex. That Madison happens to be worth millions is not lost on Yancey, who tries to respect the girl’s privacy, while facing her many regrets. Madison aches for a mother’s love, but could she ever trust the woman who sat out the first 16 years of her life? Ava works her own angles, showing Yancey everything that a mother should not be.
This sequel to Not a Day Goes By (2000) delivers plenty of catty dish with a dash of sentimentality. Fans of Harris, who died in July, will lap it up.Pub Date: Oct. 1, 2009
ISBN: 978-1-4391-5890-6
Page Count: 438
Publisher: Karen Hunter Publishing/Pocket
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2009
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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