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GENET

A BIOGRAPHY

An exhaustive and perhaps definitive biography of the celebrated French writer and thief (1910-86), who looks almost human through the eyes of the much tamer White (The Beautiful Room is Empty, 1988, etc.). It's to Genet's credit that, once he became famous enough to establish a public persona, he quite frankly assumed the role of a criminal outcast. The son of an unknown father and an impoverished mother, Genet was raised in a dreary succession of orphanages and foster homes. As a child, he showed signs of great intelligence and creativity, but, as a ward of the state, he couldn't be educated for anything other than manual labor. Incorrigible and fiercely independent, he turned to theft at an early age and spent most of his adolescent years in reform schools and prisons. It was during this period that he became conscious of his homosexuality; throughout the rest of his life, he tried to insulate himself in masculine societies that re-created the brutal and isolated asylums of his youth. ``Boiling over with contradictions, Genet was cruel and sensitive,'' says White, ``a moralist who stole from friends, a petty thief who forged copies of his own quite genuine masterpieces.'' Genet's early writings—Our Lady of the Flowers and The Miracle of the Rose—brought him to the attention of Cocteau and the surrealists, but it was the patronage of Sartre that made Genet famous—and that brought him a pardon from the president of France. Ironically, Genet found it more difficult to write as a free man than as a prisoner, and, in his later years, he nearly stopped working altogether. He finally left France for Morocco (where he's buried) and took up the cause of the Palestinians. A thorough and painstaking job that, however, could have been accomplished in half the space. Scholars will find Genet essential; most others will find a lot to skim. (Useful notes; 16 pages of photographs—not seen)

Pub Date: Oct. 28, 1993

ISBN: 0-394-57171-1

Page Count: 848

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1993

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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