This author is as ambitious as her protagonist: There are three novels worth of material here, all good. The moon or bust!
As gifted as she is driven, a young Cherokee woman powers through trauma and turbulence to realize her astronaut dreams.
Two really excellent lesbian astronaut books in one year? Yes, it’s true, and may this one, an ambitious debut from a young Cherokee author, catch the wave created by Taylor Jenkins Reid’s Atmosphere. Ramage’s version begins in June 1987, with 6-year-old Steph Harper in the back seat of a car driven by her mother, Hannah, picking shards of glass out of her little sister Kayla’s hair. The three are on the run from an incident that we won’t fully learn about till the end of the book, about 30 years and 450 action-packed pages later. The threesome stop and resettle in Tahlequah, Oklahoma, part of the Cherokee Nation, and it’s there that Steph begins to dream her big dreams, applying to Phillips Exeter Academy, begging her mother to send her to Space Camp, and having to settle for a homemade version put on by Hannah and her boyfriend, Brett. The childhood section of the book is strong; the school play, in which Steph gets the part of the husband of her secret crush, Meredith, as their entire family dies on the Trail of Tears, shows off Ramage’s ability to serve the funny-sad combination with brio. Equally memorable is a later section set in a “hab,” an isolated residence in which an astronaut crew lives for a year to simulate space travel, and this particular one is surrounded by an encampment of protestors who object to NASA’s use of Indigenous Hawaiian lands. There’s much, much more packed into this John Irving–esque tragicomic saga. One of Steph’s girlfriends was the focus of a famous forced adoption case under the Indian Child Welfare act. Another witnessed a subway shooting as a child and now belongs to a New York–based group of queer Muslims. Steph’s sister, Kayla, becomes a top Indigenous Instagram influencer about the same time she becomes a teenage mom. Almost all the characters are obsessed with Native history and the lives of their ancestors. And one character is…a shark. Yes, the kind in the ocean.
This author is as ambitious as her protagonist: There are three novels worth of material here, all good. The moon or bust!Pub Date: Sept. 2, 2025
ISBN: 9781668065853
Page Count: 448
Publisher: Avid Reader Press
Review Posted Online: May 29, 2025
Kirkus Reviews Issue: July 1, 2025
PERSPECTIVES
SEEN & HEARD
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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