Complex feelings articulated through heart-rending paintings that beg return visits.
Amid a teeming city, bustling with smartly dressed bears, foxes, cats, humans, and ostriches, rabbit Adelaide spends each day alone in her workshop safely behind a soft, red curtain.
This rabbit’s sensitivity, her glistening, emotive eyes, and her pert ears bring to mind other anthropomorphized bunnies: Margery Williams and William Nicholson’s Velveteen Rabbit, Beatrix Potter’s rabbit broods, DuBose Heyward and Marjorie Flack’s country bunny and her little gold shoes, and even the psychological complexity of the scrambling rabbits of Watership Down. Moving, impressionistic oil paintings endow Adelaide with the same searing sentience, pathos, and intellect of these antecedents. Her wrenching isolation, loneliness, and ultimate desire for connection make this picture book perfectly suited for older readers. Fantastic flourishes will appeal to children of all ages; fish and sailboats fly through the streets, animals populate an urban city center, while a fox and Adelaide unknowingly document each other’s lives through art. When a storm blows, forcing them to collide, readers’ human hearts sing. Masterful artwork, streaked with breathtaking brush strokes and daubs of pigment, easily makes up for sometimes-unimaginative language. These portraits of animals struggling with human feelings startle with their emotional exactitude, empathy, and expert execution.
Complex feelings articulated through heart-rending paintings that beg return visits. (Picture book. 5-14)Pub Date: Feb. 27, 2018
ISBN: 978-1-5247-1454-3
Page Count: 40
Publisher: Knopf
Review Posted Online: Oct. 27, 2017
Kirkus Reviews Issue: Nov. 15, 2017
BOOK REVIEW
BOOK REVIEW
A pleasing premise for book lovers.
A fantasy-loving bookworm makes a wonderful, terrible bargain.
When sixth grader Poppy Woodlock’s historic preservationist parents move the family to the Oregon coast to work on the titular stately home, Poppy’s sure she’ll find magic. Indeed, the exiled water nymph in the manor’s ruined swimming pool grants a wish, but: “Magic isn’t free. It cosssts.” The price? Poppy’s favorite book, The Lion, the Witch, and the Wardrobe. In return she receives Sampson, a winged lion cub who is everything Poppy could have hoped for. But she soon learns that the nymph didn’t take just her own physical book—she erased Narnia from Poppy’s world. And it’s just the first loss: Soon, Poppy’s grandmother’s journal’s gone, then The Odyssey, and more. The loss is heartbreaking, but Sampson’s a wonderful companion, particularly as Poppy’s finding middle school a tough adjustment. Hartman’s premise is beguiling—plenty of readers will identify with Poppy, both as a fellow bibliophile and as a kid struggling to adapt. Poppy’s repeatedly expressed faith that unveiling Sampson will bring some sort of vindication wears thin, but that does not detract from the central drama. It’s a pity that the named real-world books Poppy reads are notably lacking in diversity; a story about the power of literature so limited in imagination lets both itself and readers down. Main characters are cued White; there is racial diversity in the supporting cast. Chapters open with atmospheric spot art. (This review has been updated to reflect the final illustrations.)
A pleasing premise for book lovers. (Fantasy. 9-12)Pub Date: May 2, 2023
ISBN: 9780316448222
Page Count: 320
Publisher: Little, Brown
Review Posted Online: Feb. 24, 2023
Kirkus Reviews Issue: March 15, 2023
BOOK REVIEW
A kind child in a book for middle-grade readers? There’s no downside to that.
Beatrice Zinker is a kinder, gentler Judy Moody.
Beatrice doesn’t want to be fit in a box. Her first word was “WOW,” not “Mom.” She does her best thinking upside down and prefers to dress like a ninja. Like Judy Moody, she has patient parents and a somewhat annoying younger brother. (She also has a perfectly ordinary older sister.) Beatrice spends all summer planning a top-secret spy operation complete with secret codes and a secret language (pig Latin). But on the first day of third grade, her best friend, Lenny (short for Eleanor), shows up in a dress, with a new friend who wants to play veterinarian at recess. Beatrice, essentially a kind if somewhat quirky kid, struggles to see the upside of the situation and ends up with two friends instead of one. Line drawings on almost every spread add to the humor and make the book accessible to readers who might otherwise balk at its 160 pages. Thankfully, the rhymes in the text do not continue past the first chapter. Children will enjoy the frequent puns and Beatrice’s preference for climbing trees and hanging upside down. The story drifts dangerously close to pedantry when Beatrice asks for advice from a grandmotherly neighbor but is saved by likable characters and upside-down cake. Beatrice seems to be white; Lenny’s surname, Santos, suggests that she may be Latina; their school is a diverse one.
A kind child in a book for middle-grade readers? There’s no downside to that. (Fiction. 6-10)Pub Date: Sept. 19, 2017
ISBN: 978-1-4847-6738-2
Page Count: 160
Publisher: Disney-Hyperion
Review Posted Online: July 1, 2017
Kirkus Reviews Issue: July 15, 2017
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