edited by Ellen Datlow & Terri Windling ‧ RELEASE DATE: May 20, 2002
The spirit of the forest is celebrated in stories and poems by 18 well-known authors and talented newcomers, in another fine fantasy collection by Datlow and Windling (A Wolf at the Door, 2000, etc.). The leafy incarnation of the title appears in various guises in most of the stories; sometimes mischievous or vengeful, for the most part he brings healing and renewal, often to troubled contemporary adolescents. Others take a sideways slant on nature magic: Jane Yolen (“Song of the Cailleach Bheur”) invokes a dangerous Scottish winter fairy; Carolyn Dunn (“Ali anugne o chash”) reworks an eerie Choctaw legend of the river panther; and Kathe Koja (“Remnants”) balances recycling on the fine line that slices between madness and genius. Tree-women also have their say, both in ancient Greece (Michael Cadnum’s “Daphne”) and in modern New York City (Delia Sherman’s “Grand Central Park”). On the lighter side, Gregory Maguire (“Fee, Fie, Foe, et Cetera”) wonders what Jack’s family was up to while Jack explored that beanstalk; M. Shayne Bell (“The Pagodas of Ciboure”) examines the intersection between musicological history and obscure French legend; and Katherine Vaz (“A World Painted by Birds”) ventures into magical realism with a lyrical fairytale of political revolution. Overall, the tone is dreamlike and meditative, like a drowsy afternoon in the woods. Best taken in small doses, this collection is a treasure trove for teens and teachers exploring themes of ecology and folklore. Illustrations by noted fantasy artist Charles Vess not seen. (introduction, author notes and biographies) (Short stories. 12+)
Pub Date: May 20, 2002
ISBN: 0-670-03526-2
Page Count: 368
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2002
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edited by Ellen Datlow ; Terri Windling
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by Lois Lowry ‧ RELEASE DATE: April 1, 1993
Wrought with admirable skill—the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly...
In a radical departure from her realistic fiction and comic chronicles of Anastasia, Lowry creates a chilling, tightly controlled future society where all controversy, pain, and choice have been expunged, each childhood year has its privileges and responsibilities, and family members are selected for compatibility.
As Jonas approaches the "Ceremony of Twelve," he wonders what his adult "Assignment" will be. Father, a "Nurturer," cares for "newchildren"; Mother works in the "Department of Justice"; but Jonas's admitted talents suggest no particular calling. In the event, he is named "Receiver," to replace an Elder with a unique function: holding the community's memories—painful, troubling, or prone to lead (like love) to disorder; the Elder ("The Giver") now begins to transfer these memories to Jonas. The process is deeply disturbing; for the first time, Jonas learns about ordinary things like color, the sun, snow, and mountains, as well as love, war, and death: the ceremony known as "release" is revealed to be murder. Horrified, Jonas plots escape to "Elsewhere," a step he believes will return the memories to all the people, but his timing is upset by a decision to release a newchild he has come to love. Ill-equipped, Jonas sets out with the baby on a desperate journey whose enigmatic conclusion resonates with allegory: Jonas may be a Christ figure, but the contrasts here with Christian symbols are also intriguing.
Wrought with admirable skill—the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly provocative novel. (Fiction. 12-16)Pub Date: April 1, 1993
ISBN: 978-0-395-64566-6
Page Count: 208
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1993
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by Holly Black ‧ RELEASE DATE: Jan. 2, 2018
Black is building a complex mythology; now is a great time to tune in.
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New York Times Bestseller
Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.
Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.
Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)Pub Date: Jan. 2, 2018
ISBN: 978-0-316-31027-7
Page Count: 384
Publisher: Little, Brown
Review Posted Online: Sept. 25, 2017
Kirkus Reviews Issue: Oct. 15, 2017
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