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THE ORPHAN SINGER

Vivaldi’s Venice is the scene for this somewhat melodramatic story of sacrifice for the greater good. Young Antonio Dolci has great talent as a singer, but the Dolcis have so little money they cannot afford lessons. When his sister Nina is born, Antonio’s parents are determined to give her a better life. With breaking hearts they drop her into the infant drawer at the orphanage, where foundling girls with talent receive the best musical training in Europe. Now known as Caterina, Nina is not allowed outside its walls. Her voice is one of the best in the orphanage and she joins the chorus at a young age. On visiting day the Dolci family is always there pretending to be strangers. When the family does not appear one day, Caterina is worried. At last, Papa Dolci arrives to tell her that Antonio is seriously ill and may die. Desperate to see him, and knowing he will become well if he hears her sing, she slips out of the orphanage late at night, manages to tell a sleepy gondolier the address she remembered, and appears at the Dolci home to sing to Antonio. He gets well and the family is there to hear her debut with the choir. Caterina becomes a famous opera star and never forgets the Dolcis, for she has “long ago guessed the truth.” Full-color watercolor-and-tempura paintings are framed in pastel colors with a marbleized effect reminiscent of the elegant papers for which Italy is famous. The two double-paged spreads, however, are not framed, creating a jarring effect to the design. Venetian scenes and costumes are magical both by day and night, but the figures are somewhat indistinct, at times giving a muddled look to the pictures. A sweet tale that will appeal to readers who enjoy fairy tales. (author’s note) (Picture book. 6-8)

Pub Date: Nov. 1, 2001

ISBN: 0-439-19274-9

Page Count: 32

Publisher: Levine/Scholastic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 2001

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BASKETBALL DREAMS

Blandly inspirational fare made to evoke equally shrink-wrapped responses.

An NBA star pays tribute to the influence of his grandfather.

In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)

Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)

Pub Date: Jan. 10, 2023

ISBN: 978-1-250-81003-8

Page Count: 32

Publisher: Roaring Brook Press

Review Posted Online: Sept. 27, 2022

Kirkus Reviews Issue: Oct. 15, 2022

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KICK PUSH

An important reminder that, in the quest for friendship, who you truly are is more than enough.

Ivan, a young Black boy with a big, beautiful Afro, is such a skilled street skater that his friends have nicknamed him Epic.

When he and his family move to a new inner-city neighborhood, for the first time he finds himself without a clique to cheer him on or learn new skating stunts from. “You never landed a new trick on the first try,” his dad reminds him. “Keep an open mind, and you’ll meet new friends.” In an attempt to fit in with the neighborhood kids, Epic tries his hand at various other sports without success. Seeing his discouragement, his parents suggest that he skate down to the bodega for a treat. On his way there, Epic performs a scintillating series of skateboarding maneuvers, unaware that several kids of various ages are observing him with great interest. Only when he arrives at the bodega does he realize that he’s unwittingly found himself a new skating crew. Morrison’s upbeat narrative slides along smoothly, mirroring the energy and panache of its protagonist, and at times slips comfortably into African American Vernacular English. Skateboarding terminology is scattered liberally throughout the text, but readers unfamiliar with the jargon will feel the lack of a glossary. Morrison's illustrations—rendered in oil with their trademark graffiti-inspired, urban mannerist style—use interesting perspectives, silhouetting, and continuous narration to create a free-wheeling sense of Epic’s, well, epicness. Most characters are Black; a few illustrations include diverse representation.

An important reminder that, in the quest for friendship, who you truly are is more than enough. (Picture book. 6-8)

Pub Date: April 19, 2022

ISBN: 978-1-5476-0592-7

Page Count: 40

Publisher: Bloomsbury

Review Posted Online: Dec. 15, 2021

Kirkus Reviews Issue: Jan. 1, 2022

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