The best among these essays should bring Carrère new readers.
A collection of essays by one of France’s most acclaimed nonfiction authors.
Originally published in France in 2016, these pieces, published between 1990 and 2017, encapsulate novelist and filmmaker Carrère’s (The Kingdom, 2018, etc.) career as a journalist who places himself in his writing and subject matter. In the first piece, the author, then a fledgling crime reporter, recounts the trials of three murderers. Then he explores the life of Dr. Jean-Claude Romand, another murderer who “wasn’t even a doctor” and whose “duplicity” lasted for 18 years. In another essay on Romand, the impostor, Carrère writes that he hopes to “emulate” Truman Capote’s In Cold Blood in a book that would recount Romand’s “life from the outside,” noting that the “presence of the observer invariably modifies the observed phenomenon.” He fulfilled that hope in The Adversary (2000). Many of these essays are shorter versions of books Carrère eventually wrote, from a profile of the young, anti-Putin dissident Eduard Limonov to one on a catastrophic tsunami in Sri Lanka. Carrère is always a questioner, probing as he ponders and tries to honestly assess what he sees, hears, and experiences about other people’s lives. He is especially candid in “How I Completely Botched My Interview with Catherine Deneuve,” and he offers an insightful profile of Emmanuel Macron, with whom he was impressed: “When it’s not Hegel he’s quoting, it’s Spinoza.” There is also a piece on the stories of Phillip K. Dick and a brief assessment of an H.P. Lovecraft story full of “Lovecraft’s trademark—fear.” In “Four Days in Davos,” Carrère writes that he “wants to laugh aloud at the endless stream of infatuated, overbilled [economic] statements.” The best piece is the emotional “Letter to a Woman of Calais,” about the plight of migrants, mostly Syrian, in the city by the Chunnel. Their camp, the “Jungle,” is “a nightmare of misery and filth.”
The best among these essays should bring Carrère new readers.Pub Date: Nov. 5, 2019
ISBN: 978-0-374-17820-8
Page Count: 304
Publisher: Farrar, Straus and Giroux
Review Posted Online: Aug. 18, 2019
Kirkus Reviews Issue: Sept. 15, 2019
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
BOOK REVIEW
IN THE NEWS
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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