A searching portrait of an arrogant, heroic and willful man—a mix of Jean Genet, Don Quixote and King Lear.
The life of a controversial Russian writer and adventurer.
Journalist, novelist, screenwriter and director Carrère (My Life as a Russian Novel, 2010, etc.) was amazed when he heard some of Russia’s liberal intellectuals warmly praise Edward Limonov (b. 1943), infamous for his right-wing views and incendiary fascist remarks. That paradox inspired the investigation that resulted in this book, winner of the Prix Renaudot when it was published in France in 2011. Combining biography, political history and memoir, Carrère places Limonov’s “romantic, dangerous life” in the context of what he calls his own “bourgeois bohemian” experiences. Limonov, “a Russian Jack London,” has been wildly impetuous: A rebel, thug and poet, he left his native Ukraine when he was 24; moved to Moscow, where he eked out a living sewing pants; married a beautiful model with whom, in 1974, he immigrated to New York, imagining a “radiant future” as a writer. Despondent after his wife left him, he became a homeless tramp; then, in a sharp twist of fate, he got a job as butler to a multimillionaire, through whom he met a literary agent who placed his first book—autobiographical fiction—with a French publisher. Paris was next, where the literati treated him like “a bit of a star.” But he was restless. Learning of conflict in the Balkans, he decided to fight with the Serbs. When Carrère interviewed him in Moscow in 2007, he was leading a “national assembly of opposition forces.” Limonov has been opposed to political leaders (most recently, “cold and cunning” Putin), to the adulation bestowed upon such writers as Joseph Brodsky, Pasternak and Yevtushenko, and to glasnost, which led his countrymen to believe that they had been duped by “a gang of criminals.” Limonov prefers his Russia “powerful and morose.”
A searching portrait of an arrogant, heroic and willful man—a mix of Jean Genet, Don Quixote and King Lear.Pub Date: Oct. 21, 2014
ISBN: 978-0-374-19201-3
Page Count: 336
Publisher: Farrar, Straus and Giroux
Review Posted Online: June 29, 2014
Kirkus Reviews Issue: July 15, 2014
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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