by Emmanuel Carrère & translated by Linda Coverdale ‧ RELEASE DATE: Aug. 3, 2010
Intelligent, well-written and scrupulously honest, but off-puttingly self-involved.
French novelist/screenwriter/journalist Carrère (I Am Alive and You Are Dead: A Journey Inside the Mind of Philip K. Dick, 2003, etc.) recalls two fraught years that took him to Siberia and ended a love affair.
Heavy drinking, infidelity, questions about meaning and identity, white nights in the long northern summer—it’s a Russian novel in subject matter, but the author’s approach is decidedly French: minute analysis of each emotional up or down, brutal frankness about his (and others’) less-than-admirable behavior that recalls Flaubert or Stendhal. In 2000, Carrère traveled with a film crew to the provincial town of Kotelnich for a news story that later turned into an open-ended project for the French National Film Commission. Since he had no real plan for the project, he mostly hung around aimlessly with the locals—experiences that are sharply described in the memoir’s least solipsistic scenes—while obsessing over two loose ends in his life. The first was the fate of his grandfather, a Russian immigrant to France who disappeared in 1944, presumably killed in reprisal for collaborating with the Germans. Carrère’s mother, a distinguished French intellectual, begged her son not to write about her shameful father. Believing that she “denied us the right to our suffering,” he did it anyway. This would be less distasteful if the author’s motives didn’t seem to be entirely selfish, which is the impression also created by his account of his tortured relationship with Sophie, the second loose end. The couple had great sex, but everything Carrère writes—including a semi-pornographic story he published in Le Monde, instructing his lover to read it on a train ride and follow its instructions—backs up Sophie’s anguished belief that he was uninterested in her job, her friends and her life, embarrassed by her lower social status and intent on controlling her every move. She had an affair, became pregnant and eventually married another man. Readers will most likely conclude that Carrère deserved Sophie’s payback.
Intelligent, well-written and scrupulously honest, but off-puttingly self-involved.Pub Date: Aug. 3, 2010
ISBN: 978-0-8050-8755-0
Page Count: 288
Publisher: Metropolitan/Henry Holt
Review Posted Online: June 3, 2010
Kirkus Reviews Issue: June 1, 2010
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by Emmanuel Carrère ; translated by John Lambert
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by Emmanuel Carrère ; translated by John Lambert
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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