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ALAN’S WAR

Thankfully for readers, Guibert promises a prequel volume on Cope’s childhood in California, in testament to “the...

This epic graphic memoir spans oceans and generations, with a narrative as engrossing as the artistry that illustrates it.

In his preface, renowned French graphic novelist Guibert (co-author: The Professor’s Daughter, 2007, etc.) explains the bond he shared with the much older Cope, who had served as an American soldier during World War II and left his native country to return to France in the aftermath. “He spoke well; I listened well,” writes Guibert. “Save two or three, his anecdotes were nothing spectacular. They evoked only very remotely what movies or books about the Second World War had taught me. Still, I found them captivating, because of the accents of truth they contained. I could literally see what he was describing.” Now the American reader can as well (the first volume of the collaboration was initially published in France in 2000, the year after Cope’s death). As the title suggests, this is one man’s war memories, filled not with tales of larger-than-life heroism but with the chance encounters, tragic absurdities and small kindnesses experienced by a sheltered young soldier of uncommon intelligence, as recollected by an older man who has come to take stock of his life and reconsider the values by which he has lived it. He comes to question himself, his country and humanity in general, while retaining a humanitarian warmth and a deep appreciation for the arts. The narrative voice is captivating, and the black-and-white illustrations are often stunning, whether capturing the grandeur of Big Sur and the giant redwoods of California or showing the destruction of European villages by soldiers who shared a common bond of humanity with the civilian “enemy.” The Veteran’s Day publication befits a volume that underscores the resonance and legacy of war.

Thankfully for readers, Guibert promises a prequel volume on Cope’s childhood in California, in testament to “the storyteller in him that I was drawn to—his personality, his style, his voice, and his astounding memory.”

Pub Date: Nov. 11, 2008

ISBN: 978-1-59643-096-9

Page Count: 336

Publisher: First Second/Roaring Brook

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2008

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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