by Eric Davis & Ralph Wiley ‧ RELEASE DATE: April 12, 1999
A gritty and witty look under the batting helmet of star player Davis, whose heart is a big red machine. Although Wiley, who served with Sports Illustrated and ESPN, and also coauthored Spike Lee’s Best Seat in the House (1997), is listed as coauthor, another coauthor here is clearly Jesus, evident in phrases like “God’s will is in baseball too.” The Lord saves Davis from many perils, including a World Series injury in 1990, when this fiercely proud and competitive slugging outfielder ruptured his kidney almost making an impossible diving catch. Typically, Davis didn—t display any pain until he collapsed on the way to the batters” box. He urinated enough blood to fill a beer cup and was rushed to the hospital. Every split second of this drama, from what he was thinking as he attempted the catch to the traffic lights on the ambulance drive, is given in great detail—fine reading. It’s great fun to hear Davis talk about “only hitting a buck seventy-eight” (.178) and hitting a “granny” (grand-slam home run). While his favorite years may have been as a Cincinnati Red, the real plot revolves around his rare ability to play hurt. One key injury happened after he was traded from the Dodgers to the Tigers and crashed into Fenway Park’s notoriously short center-field wall. His hardest and highest wall, of course, was the colon cancer he courageously fought off to return to a troubled Baltimore club last season. To the book’s credit, it remains about balls and strikes, dugouts and stadiums, rather than hospitals and chemotherapy treatments. Yankee Darryl Strawberry, Davis’s old high school friend and rival, who also got much publicity fighting colon cancer last year, writes in the Afterword, “Knowing what he went through probably saved my life.” Davis comes off as a picture of consistency, morality, and heroism.
Pub Date: April 12, 1999
ISBN: 0-670-88511-8
Page Count: 288
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1999
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by Eric Davis & Randy Holcomb & James Martin ; illustrated by Eric Davis
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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