All the fun of imagination without the mess of reality.
A young boy imagines the riot that would ensue if his house were overrun with wild animals.
“The lions would roar as they sprawled on the floor. / The lemurs would lollygag right by the door. / My daddy would try to sit down in his chair. / He’d holler and whoop with a porcupine there!” The hodgepodge of animals ranges from forest chipmunks and savanna giraffes to Australian kangaroos and even an octopus. And they all come with mischief in mind. Pinder neatly describes the chaos that this bunch could cause. From ruining the furniture and eating all the food to taking up the comfiest places, they would eventually leave no room for the boy and his family, relegating them to sleeping outside. And in fact, the boy wisely decides in the end that, as much fun as all the animals might be, he will be satisfied with just his cat and dog. The rhyming verses have a nice rhythm, and a repeated refrain allows listeners to join in. Brown uses a similar style to his illustrations in Lindsay Craig’s Farmyard Beat and Dancing Feet (2011, 2010), but the corrugated-looking collages that incorporate photographic elements are not as successful here. The details tend to get lost in all the texture. Still, the animal antics are priceless, and the boy’s transformation from joyful participant to disgruntled observer is easy to see.
All the fun of imagination without the mess of reality. (Picture book. 3-6)Pub Date: April 17, 2012
ISBN: 978-0-316-09883-0
Page Count: 40
Publisher: Little, Brown
Review Posted Online: Feb. 14, 2012
Kirkus Reviews Issue: March 1, 2012
Yes, the Pigeon has to go to school, and so do readers, and this book will surely ease the way.
All the typical worries and excuses kids have about school are filtered through Willems’ hysterical, bus-loving Pigeon.
Told mostly in speech balloons, the bird’s monologue will have kids (and their caregivers) in stitches at Pigeon’s excuses. From already knowing everything (except whatever question readers choose to provide in response to “Go ahead—ask me a question. / Any question!”) to fearing learning too much (“My head might pop off”), Pigeon’s imagination has run wild. Readers familiar with Pigeon will recognize the muted, matte backgrounds that show off the bird’s shenanigans so well. As in previous outings, Willems varies the size of the pigeon on the page to help communicate emotion, the bird teeny small on the double-page spread that illustrates the confession that “I’m… / scared.” And Pigeon’s eight-box rant about all the perils of school (“The unknown stresses me out, dude”) is marvelously followed by the realization (complete with lightbulb thought bubble) that school is the place for students to practice, with experts, all those skills they don’t yet have. But it is the ending that is so Willems, so Pigeon, and so perfect. Pigeon’s last question is “Well, HOW am I supposed to get there, anyway!?!” Readers will readily guess both the answer and Pigeon’s reaction.
Yes, the Pigeon has to go to school, and so do readers, and this book will surely ease the way. (Picture book. 3-6)Pub Date: July 2, 2019
ISBN: 978-1-368-04645-9
Page Count: 40
Publisher: Hyperion
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: June 1, 2019
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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