A delightful modern tall tale sure to entertain and inspire readers to share (and embroider) their own stories.
When Ramsey’s grandma, who is just a wee bit grumpy, sees his painting of an octopus, she’s inspired to make pulpo guisado—octopus stew—and adventure ensues.
Ramsey and Grandma, both Afro-Latinx, head to the store, where they find an octopus with wide and expressive eyes—Ramsey suspects it is still alive. He searches his phone for information about octopuses and gets a warning he tries to share with his grandmother, but she is too annoyed at the interruption to listen. Once home, Grandma cleans the octopus, but shortly after the creature is dropped into boiling water, noises come from the kitchen they can’t explain. In the kitchen, they see the octopus has escaped the pot. It is now a giant monster Ramsey must fight in order to save Grandma, who is being squeezed by the octopus’s arms. At the height of the action, the story is interrupted by Ramsey’s father, who declares disbelief in a double gate-fold revealing that Ramsey is telling this story to his rapt family, making it both an entertaining tale in itself and a comment on the power of storytelling. This narrative is related primarily in English with some accompanying, unitalicized Spanish phrases. The backmatter includes an author’s note, a Spanish glossary with pronunciation key, and a recipe for octopus stew.
A delightful modern tall tale sure to entertain and inspire readers to share (and embroider) their own stories. (Picture book. 4-8)Pub Date: Sept. 17, 2019
ISBN: 978-0-8234-3754-2
Page Count: 40
Publisher: Holiday House
Review Posted Online: June 24, 2019
Kirkus Reviews Issue: July 15, 2019
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
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