by Erica Lee Schlaikjer ; illustrated by Cinyee Chiu ‧ RELEASE DATE: Aug. 15, 2024
A simple, verdant celebration of heritage, identity, and food.
A young girl learns about her people’s history and culture.
A beautiful landscape stretches out behind the child, who narrates: “Today, I am helping my ina, my mother, gather greens from our garden.” She’s finally old enough to forage with her mother on their wild lands. Mother and daughter are part of the Indigenous Amis people of Taiwan. Though the young narrator attempts to remove weeds, her mother explains, “We want those plants to grow—we can eat them!” Like the Amis, “wild vegetables…have their own kawas, their own spirit.” Schlaikjer draws a contrast between the protagonists, who are deeply connected to the food they eat, and most Taiwanese people, who purchase frozen dumplings or instant noodles at the grocery store. The child also learns the Amis language from her ina (only Mandarin and English are taught in school) as the two count to 10 together; the narrator shares other words with readers. Though rooted in concrete details, the prose has a lilting quality, brimming with pride for the Amis and their way of life, while the stunning double-spread watercolors capture the lushness of the land. Chinese and Pinyin translations accompany the text. Backmatter offers further information on the Amis, their native home, and their endangered language.
A simple, verdant celebration of heritage, identity, and food. (Picture book. 4-8)Pub Date: Aug. 15, 2024
ISBN: 9781534113152
Page Count: 40
Publisher: Sleeping Bear Press
Review Posted Online: Sept. 14, 2024
Kirkus Reviews Issue: Oct. 15, 2024
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More by Jane Whittingham
BOOK REVIEW
by Jane Whittingham ; illustrated by Cinyee Chiu
by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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More In The Series
by Riel Nason ; illustrated by Byron Eggenschwiler
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BOOK REVIEW
by Riel Nason ; illustrated by Byron Eggenschwiler
by Susan McElroy Montanari ; illustrated by Teresa Martínez ‧ RELEASE DATE: Aug. 6, 2019
Just the thing for anyone with a Grinch-y tree of their own in the yard.
A grouchy sapling on a Christmas tree farm finds that there are better things than lights and decorations for its branches.
A Grinch among the other trees on the farm is determined never to become a sappy Christmas tree—and never to leave its spot. Its determination makes it so: It grows gnarled and twisted and needle-less. As time passes, the farm is swallowed by the suburbs. The neighborhood kids dare one another to climb the scary, grumpy-looking tree, and soon, they are using its branches for their imaginative play, the tree serving as a pirate ship, a fort, a spaceship, and a dragon. But in winter, the tree stands alone and feels bereft and lonely for the first time ever, and it can’t look away from the decorated tree inside the house next to its lot. When some parents threaten to cut the “horrible” tree down, the tree thinks, “Not now that my limbs are full of happy children,” showing how far it has come. Happily for the tree, the children won’t give up so easily, and though the tree never wished to become a Christmas tree, it’s perfectly content being a “trick or tree.” Martinez’s digital illustrations play up the humorous dichotomy between the happy, aspiring Christmas trees (and their shoppers) and the grumpy tree, and the diverse humans are satisfyingly expressive.
Just the thing for anyone with a Grinch-y tree of their own in the yard. (Picture book. 4-8)Pub Date: Aug. 6, 2019
ISBN: 978-1-4926-7335-4
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 13, 2019
Kirkus Reviews Issue: Aug. 1, 2019
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More by Susan McElroy Montanari
BOOK REVIEW
by Susan McElroy Montanari ; illustrated by Jake Parker
BOOK REVIEW
by Susan McElroy Montanari ; illustrated by Brian Pinkney
BOOK REVIEW
by Susan McElroy Montanari ; illustrated by Jake Parker
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