While some families may “come from” adoption, babies simply do not come from airports.
A celebration of a multiracial family formed through international adoption.
First-person, rhyming text in the voice of Adar, a black adoptee from Ethiopia (as indicated by a flag on his “Gotcha Day” scrapbook), shares his anticipation of his mother’s arrival at the airport with his new baby sister, while Adar’s big brother, Nico, helps him recall his own arrival at the airport with their mother. A cartoon aesthetic incorporates environmental print and other details to reveal that this baby girl was born in China. The text doesn’t share whether Nico is an adoptee; he has light-brown skin and dark, straight hair, while their mother has a similar skin tone and brown, curly hair. Their father’s light skin and curly, dark-blond hair make him seem white. He’s depicted as a rather hapless parent, with various mishaps recorded by the boys’ pictures drawn for their mother during her absence. While their reunion with mother and baby is a joyful one at the airport, the central premise that “babies come from airports” erases birth parents in the adoption triad. This grave misstep frames adoption as a wholly joyful phenomenon of adoptive parents and kids in a mutual, exclusive “gotcha,” thus ignoring its inherent losses and complexities.
While some families may “come from” adoption, babies simply do not come from airports. (Picture book. 3-6)Pub Date: March 1, 2017
ISBN: 978-1-61067-557-4
Page Count: 32
Publisher: Kane Miller
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
BOOK REVIEW
BOOK REVIEW
A tender bedtime tale set in a too-seldom-seen northern world.
A quiet book for putting young children to bed in a state of snowy wonder.
The magic of the north comes alive in a picture book featuring Inuit characters. In the sky at nighttime, snow falls fast. / … / In the sky at nighttime, a raven roosts atop a tall building. / … / In the sky at nighttime, a mother’s delicate song to her child arises like a gentle breeze.” With the repetition of the simple, titular refrain, the author envisions what happens in a small town at night: Young children see their breath in the cold; a hunter returns on his snowmobile; the stars dazzle in the night sky. A young mother rocks her baby to sleep with a song and puts the tot down with a trio of stuffed animals: hare, polar bear, seal. The picture book evokes a feeling of peace as the street lamps, northern lights, and moon illuminate the snow. The illustrations are noteworthy for the way they meld the old world with what it looks like to be a modern Indigenous person: A sled dog and fur-lined parkas combine easily with the frame houses, a pickup truck, power lines, and mobile-hung crib. By introducing Indigenous characters in an unremarkably familiar setting, the book reaches children who don’t always see themselves in an everyday context.
A tender bedtime tale set in a too-seldom-seen northern world. (Picture book. 3-5)Pub Date: Oct. 1, 2019
ISBN: 978-1-77227-238-3
Page Count: 36
Publisher: Inhabit Media
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Aug. 15, 2019
BOOK REVIEW
BOOK REVIEW
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