A moving piece of Americana from a veteran team (Fly Away Home, 1992, etc.), introducing the orphan trains of the 19th and early 20th century to a picture-book audience. Marianne narrates; she's among 14 children from the orphanages and streets of New York City who are being shipped to the "New West" of Illinois and Iowa in search of good homes. At stop after stop her traveling mates are chosen, some clearly for their strength and usefulness, others for their looks. Marianne is neither strong nor pretty and is repeatedly passed over. Secretly she has promised herself that her mother would be at one of the stops to meet her. In the end she is taken in by a nice, elderly couple who readers know will treat her well. Himler's lovely watercolor and gouache paintings express both the loneliness and hope of the children in scene after scene of the rugged new country. A reminder that the good old days were not so idyllic; this book will have a place in the history curriculum, but it's also an involving read-aloud.Jesse Harmon's struggle to cope with the death of his younger brother, Bry, in a hit-and-run accident is complicated by his sense of guilt for having failed to prevent the accident and by his relationship with Bry's girl, Chloe. Jesse had been close to Bry, a talented 16-year-old whose deafness contributed to his death. Trying to deal with their grief, Jesse and Chloe collaborate in a search for the killer; working together, they feel a mutual attraction. Bunting skillfully creates suspense through an elusive witness (a local wino) and a false lead (a young drunk who can't remember whether he killed Bry). When the clues lead inexorably to Chloe's alcoholic mother, Jesse finds himself forced, with her acquiescence, to hurt Chloe by making the truth public. Despite the suspenseful pacing, Bunting handles Jesse and Chloe's relationship with sensitivity. By including several minor characters whose alcoholism is pivotal to the plot, she emphasizes the tragedy that alcohol can inflict on innocent bystanders and other family members.
Pub Date: April 10, 1988
ISBN: 0152058680
Page Count: 148
Publisher: Harcourt Brace Jovanovich
Review Posted Online: April 17, 2012
Kirkus Reviews Issue: March 15, 1988
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
A uniquely arranged bouquet of terrors, as disturbing as it is beautiful.
A family’s secrets rise to the surface as a young man investigates a suspected murder.
Evander, who’s 17 and lonely, never leaves his room in the manor on Hazelthorn Estate. He’s told he’s too fragile and is locked away “for his safety” while an elderly butler feeds him brain-addling “medicine.” But one night changes Evander’s life—and the manor’s future—forever. Byron Lennox-Hall, Evander’s billionaire guardian and the family’s patriarch, dies unexpectedly. Relatives descend upon Hazelthorn like vultures as a shocking twist reveals that Byron left everything to Evander alone. Without Byron around to keep his only grandchild and presumed heir, Laurence “Laurie” Lennox-Hall, away from his ward, Laurie and Evander become the unlikeliest of allies. When they were boys, Laurie attempted to kill Evander—but, maddeningly, Evander can’t stop thinking about him. He also suspects that someone murdered Byron. Drews’ latest starts off as a straightforward whodunit and turns into something that’s far more sinister—and delicious. From descriptions of moth-eaten decay to vivid floral imagery, Drews luxuriates in atmospheric prose. Their literary green thumb nurtures intertwining themes of monstrosity and abuse alongside yearning, first love, queerness, and mystery. The slow-burn romance at the root of this blend of gothic and body horror is as tender as it is unforgettable. Evander is cued as autistic, and main characters present white.
A uniquely arranged bouquet of terrors, as disturbing as it is beautiful. (author’s note) (Horror. 13-18)Pub Date: Oct. 28, 2025
ISBN: 9781250376299
Page Count: 368
Publisher: Feiwel & Friends
Review Posted Online: Aug. 2, 2025
Kirkus Reviews Issue: Sept. 1, 2025
BOOK REVIEW
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
