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MY HEART IS BOUNDLESS

A compelling documentary portrait of the real Marmee, whose life provided the impetus for Little Women and who emerges here...

This revealing collection of Abigail May Alcott’s writings provides previously unknown details of the life of a 19th-century daughter, sister, wife and mother who associated with transcendental luminaries, suppressed her own dreams to provide for her family, inspired her famous daughter Louisa, and remained an ardent reformer for abolition and women’s rights.

Until now, little has been known of Abigail’s life, since many of her private papers were destroyed after her death. While writing the dual biography, Marmee & Louisa (2012), LaPlante uncovered surviving, untapped pages of Abigail’s journals and letters in archival and private collections, as well as a newly discovered cache of letters detailing May and Alcott family life from the 1830s to the 1870s. In compiling, editing and annotating a sampling of these private letters, poems, journal entries, miscellaneous papers, recipes and remedies, LaPlante, a descendant of the May family, sought to convey the spirit of Abigail’s writings. Organized chronologically, the writings are grouped by early years, courtship and marriage, motherhood, early middle life, employment, late middle age and old age. They trace Abigail’s evolution from a sickly, youngest child of seven, to a serious young scholar eschewing marriage, to a struggling wife and mother forced to support her family for decades, to a middle-age social worker and early advocate of women’s suffrage, to an aging grandmother. Abigail’s diaries and letters disclose an intelligent, self-sacrificing, tender woman whose moral conviction and strong character kept her engaged in social issues despite her tragic marriage. Each document includes the date and place of composition as well as footnotes for references unfamiliar to contemporary readers. Helpful annotations and a chronology provide further contextual detail.

A compelling documentary portrait of the real Marmee, whose life provided the impetus for Little Women and who emerges here as a noteworthy woman in her own right.

Pub Date: Nov. 6, 2012

ISBN: 978-1-4767-0280-3

Page Count: 256

Publisher: Free Press

Review Posted Online: Sept. 14, 2012

Kirkus Reviews Issue: Oct. 1, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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