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IN THIS BOOK ARE THINGS IN THINGS

Minus variance in prepositions, relationship among pages or discernible story arc (except for a conclusion), this feels more...

The French duo that collaborated on the foldout book Panorama (2009) returns with another visually exciting collection of images, this time bound traditionally.

Each page—and an occasional double-page spread—contains a linocut presenting an arresting, tactile composition. A white bird rests in a nest built from chiseled diagonals, short blue lines cradling the creature against the black tree; a train, inferable from the clues of distant lights in a tunnel, approaches readers from under an arch of brown bricks above, with pebbles and track below. There is much to peruse and describe with a baby or by a young child, and readers in the know will recognize animals from Jolivet’s previous books. The text, however, is less successful. The need for the repetitive first-person declarations is questionable: “I am in the apricot, said the pit. / I am in the bed, said the teddy bear”). Perhaps the somnolent syntax is intended to induce the sleep depicted in the final scene of a father holding his son, who’s clasping a book—this book. Maybe it is all meant to climax in the resulting multiple meanings of “And me, I am in your arms!”

Minus variance in prepositions, relationship among pages or discernible story arc (except for a conclusion), this feels more like a museum stroll than a coherent picture book—stimulating but not wholly satisfying. (Picture book. 3-5)

Pub Date: Aug. 5, 2014

ISBN: 978-1-4521-2588-6

Page Count: 94

Publisher: Chronicle Books

Review Posted Online: June 17, 2014

Kirkus Reviews Issue: July 15, 2014

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HAPPY EASTER FROM THE CRAYONS

Let these crayons go back into their box.

The Crayons return to celebrate Easter.

Six crayons (Red, Orange, Yellow, Esteban, who is green and wears a yellow cape, White, and Blue) each take a shape and scribble designs on it. Purple, perplexed and almost angry, keeps asking why no one is creating an egg, but the six friends have a great idea. They take the circle decorated with red shapes, the square adorned with orange squiggles “the color of the sun,” the triangle with yellow designs, also “the color of the sun” (a bit repetitious), a rectangle with green wavy lines, a white star, about which Purple remarks: “DID you even color it?” and a rhombus covered with blue markings and slap the shapes onto a big, light-brown egg. Then the conversation turns to hiding the large object in plain sight. The joke doesn’t really work, the shapes are not clear enough for a concept book, and though colors are delineated, it’s not a very original color book. There’s a bit of clever repartee. When Purple observe that Esteban’s green rectangle isn’t an egg, Esteban responds, “No, but MY GOSH LOOK how magnificent it is!” Still, that won’t save this lackluster book, which barely scratches the surface of Easter, whether secular or religious. The multimedia illustrations, done in the same style as the other series entries, are always fun, but perhaps it’s time to retire these anthropomorphic coloring implements. (This book was reviewed digitally.)

Let these crayons go back into their box. (Picture book. 3-5)

Pub Date: Feb. 7, 2023

ISBN: 978-0-593-62105-9

Page Count: 32

Publisher: Philomel

Review Posted Online: Oct. 11, 2022

Kirkus Reviews Issue: Nov. 1, 2022

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ONE MORE DINO ON THE FLOOR

It’s a bit hard to dance, or count, to this beat.

Dinos that love to move and groove get children counting from one to 10—and perhaps moving to the beat.

Beginning with a solo bop by a female dino (she has eyelashes, doncha know), the dinosaur dance party begins. Each turn of the page adds another dino and a change in the dance genre: waltz, country line dancing, disco, limbo, square dancing, hip-hop, and swing. As the party would be incomplete without the moonwalk, the T. Rex does the honors…and once they are beyond their initial panic at his appearance, the onlookers cheer wildly. The repeated refrain on each spread allows for audience participation, though it doesn’t easily trip off the tongue: “They hear a swish. / What’s this? / One more? / One more dino on the floor.” Some of the prehistoric beasts are easily identifiable—pterodactyl, ankylosaurus, triceratops—but others will be known only to the dino-obsessed; none are identified, other than T-Rex. Packed spreads filled with psychedelically colored dinos sporting blocks of color, stripes, or polka dots (and infectious looks of joy) make identification even more difficult, to say nothing of counting them. Indeed, this fails as a counting primer: there are extra animals (and sometimes a grumpy T-Rex) in the backgrounds, and the next dino to join the party pokes its head into the frame on the page before. Besides all that, most kids won’t get the dance references.

It’s a bit hard to dance, or count, to this beat. (Picture book. 3-5)

Pub Date: March 1, 2016

ISBN: 978-0-8075-1598-3

Page Count: 32

Publisher: Whitman

Review Posted Online: Jan. 19, 2016

Kirkus Reviews Issue: Feb. 1, 2016

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