What could have been an edgy excursion into the individual toll of the Recession on real women devolves into fluff.
Life keeps interrupting a former beauty queen’s planned suicide in Flagg’s latest (Can’t Wait to Get to Heaven, 2006, etc.) take on Southern womanhood.
Maggie Fortenberry, Miss Alabama circa the late 1960s, is not exactly depressed, but at age 60, toiling as a Birmingham Realtor as the housing bubble implodes, she simply finds life too burdensome. So she’s planned a graceful exit, donating her sparse but tasteful wardrobe, paying her bills, leaving the balance of her meager bank account to charity, etc. She’s set her suicide for late October 2008, when Brenda, her best friend and colleague at Red Mountain Realty, convinces her she must see the Whirling Dervishes during their one-night-only November appearance in Birmingham. Maggie reschedules her date with doom, but pretexts for further postponements pop up. Crestview, a mansion originally owned by Scottish industrialist and Birmingham city father Edward Crocker, is coming on the market, and Maggie suspends genteel despair long enough to snatch the listing from Red Mountain’s archrival in realty, Babs Bingington, the Beast of Birmingham. Not only did Babs indirectly cause the death of Red Mountain’s revered founder, the miniscule but irrepressible Hazel, but thanks to Babs’ scorched-earth sales tactics, Birmingham’s historic homes are being razed and replaced by shoddily constructed, vulgar monstrosities. Once Crestview is safely sold, an auto accident and grateful goat farmers present further impediments to self-destruction. Not to mention the skeleton, dressed in full Scots regalia, discovered in Crestview’s attic. Or Brenda’s compulsive overeating, which lands her in the hospital. The early sections of the novel evoke sympathy for Maggie as she rifles her catalog of regrets: her sabotaged chances at the Miss America crown, failed love affairs, thwarted dreams of success in the Big Apple and general incompetence at everything except beauty—now rapidly fading. Although the plot may justify tarring its villain or deifying its savior too broadly, there is no excuse for the Hazel-ex-machina ending.
What could have been an edgy excursion into the individual toll of the Recession on real women devolves into fluff.Pub Date: Nov. 9, 2010
ISBN: 978-1-4000-6593-6
Page Count: 336
Publisher: Random House
Review Posted Online: Sept. 27, 2010
Kirkus Reviews Issue: Oct. 15, 2010
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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