Twelve well-paced stories straddling the line between parody, magical realism, mystery, and farce.
Palma, a Spanish writer best known here for the Map of Time trilogy (The Map of Chaos, 2015, etc.), returns with a book of imaginative stories.
In "Snow Globe," one of the stronger tales, a traveling encyclopedia salesman masquerading as the dead son of a senile and grief-stricken elderly woman describes the title item as "a toy world that obeys its own laws….Everything inside it works differently." It's a metaphor for the story at hand, but it could also apply to the book overall. "The Karenina Syndrome" unfurls an enigmatic tale about a man's dread of Sunday dinners with his wife's family into a domestic thriller centered around a love letter bookmarking his in-laws' tattered copy of Anna Karenina, deftly recalibrating the book's themes into something new and alarmingly grotesque. "Roses Against the Wind" expands a similar premise of how little family members actually know about one another into a fantastical meditation on compassion and escapism. But the title story—about a wealthy man who gives his wife pieces of his body over the course of their marriage—is indeed the standout and is practically dripping with black comedy and potential interpretations. Are the eyes, appendages, and limbs passed across the table over lavish dinners indicative of unbridled affection or "an act of tremendous egotism...akin to giving the church the clothes you no longer wear"? In Palma's tales, lecherous co-workers inevitably steal jilted wives waiting at the foot of a staircase with their suitcase, work crushes wind up the talismanic muses of magical figurines—all evoked with an onslaught of metaphor and simile that hits the nail so hard and so frequently that, in aggregate, they have some trouble signifying. Palma has a piercing imagination hampered only by plots that are borderline contrived and an unchanging narrative voice.
Twelve well-paced stories straddling the line between parody, magical realism, mystery, and farce.Pub Date: Sept. 17, 2019
ISBN: 978-1-5011-6404-0
Page Count: 240
Publisher: Atria
Review Posted Online: June 30, 2019
Kirkus Reviews Issue: July 15, 2019
BOOK REVIEW
BOOK REVIEW
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
Fans of smart horror will sink their teeth into this one.
Things are about to get bloody for a group of Charleston housewives.
In 1988, the scariest thing in former nurse Patricia Campbell’s life is showing up to book club, since she hasn’t read the book. It’s hard to get any reading done between raising two kids, Blue and Korey, picking up after her husband, Carter, a psychiatrist, and taking care of her live-in mother-in-law, Miss Mary, who seems to have dementia. It doesn’t help that the books chosen by the Literary Guild of Mt. Pleasant are just plain boring. But when fellow book-club member Kitty gives Patricia a gloriously trashy true-crime novel, Patricia is instantly hooked, and soon she’s attending a very different kind of book club with Kitty and her friends Grace, Slick, and Maryellen. She has a full plate at home, but Patricia values her new friendships and still longs for a bit of excitement. When James Harris moves in down the street, the women are intrigued. Who is this handsome night owl, and why does Miss Mary insist that she knows him? A series of horrific events stretches Patricia’s nerves and her Southern civility to the breaking point. (A skin-crawling scene involving a horde of rats is a standout.) She just knows James is up to no good, but getting anyone to believe her is a Sisyphean feat. After all, she’s just a housewife. Hendrix juxtaposes the hypnotic mundanity of suburbia (which has a few dark underpinnings of its own) against an insidious evil that has taken root in Patricia’s insular neighborhood. It’s gratifying to see her grow from someone who apologizes for apologizing to a fiercely brave woman determined to do the right thing—hopefully with the help of her friends. Hendrix (We Sold Our Souls, 2018, etc.) cleverly sprinkles in nods to well-established vampire lore, and the fact that he’s a master at conjuring heady 1990s nostalgia is just the icing on what is his best book yet.
Fans of smart horror will sink their teeth into this one.Pub Date: April 7, 2020
ISBN: 978-1-68369-143-3
Page Count: 400
Publisher: Quirk Books
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
PERSPECTIVES
SEEN & HEARD
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