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OSCAR WILDE'S THE SELFISH GIANT

PLB 0-375-90319-4 Waters’s retelling of this tale feels overly precious and disjointed, with the figure of the Christ child made curiously heavy by its artless inclusion. As those familiar with the story know, the giant is a big lout who returns to his paradisiacal garden after an extended absence to find it overrun with children having the time of their lives. He can’t stand their noise, so he boots them out and builds a wall. Spring comes to the garden late that year, and only arrives in the company of the children, plus one special child. That child brings with him the warmth of the sun and the joys of the season, and for that the giant is grateful; he is woebegone when that child, of all the children, does not return to the grounds—at least not until it is time for the giant to ascend into the child’s garden, Paradise. Negrin’s stylized paintings, with elaborate fabrics, elongated forms, and sculptured landscapes, are studied but arresting. They are unhampered by the stiff storytelling, which never makes clear the giant’s change of heart: from walling the children out to missing their laughter. (Picture book. 6-11)

Pub Date: Feb. 1, 2000

ISBN: 0-375-80319-X

Page Count: 32

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 2000

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OWEN FOOTE, MONEY MAN

In his quest for easy moolah, Owen learns that the road to financial solvency can be rocky and fraught with work. Greene (Owen Foote, Soccer Star, 1998, etc.) touches upon the often-thorny issue of chores and allowances: Owen’s mom wants him to help out because he’s part of the family and not just for the money—while Owen wants the money without having to do tedious household chores. This universal dilemma leaves Owen without funds and eagerly searching for ways to make a quick buck. His madcap schemes range from original—a “free” toilet demonstration that costs 50 cents—to disastrous, as during the trial run of his children’s fishing video, Owen ends up hooking his ear instead of a trout. Enlisting the aid of his stalwart, if long-suffering, friend Joseph, the two form a dog-walking club that becomes vastly restricted in clientele after Owen has a close encounter with an incontinent, octogenarian canine. Ultimately, Owen learns a valuable lesson about work and money when an unselfish action is generously rewarded. These sudden riches motivate Owen to consider wiser investments for his money than plastic vomit. Greene’s crisp writing style and wry humor is on-target for young readers. Brief chapters revolving around a significant event or action and fast pacing are an effective draw for tentative readers. Weston’s (Space Guys!, p. 392, etc.) black-and-white illustrations, ranging in size from quarter- to full-page, deftly portray Owen’s humorous escapades. A wise, witty addition to Greene’s successful series. (Fiction. 8-10)

Pub Date: Sept. 18, 2000

ISBN: 0-618-02369-0

Page Count: 96

Publisher: Clarion Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2000

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KING MIDAS AND THE GOLDEN TOUCH

PLB 0-688-13166-2 King Midas And The Golden Touch ($16.00; PLB $15.63; Apr.; 32 pp.; 0-688-13165-4; PLB 0-688-13166-2): The familiar tale of King Midas gets the golden touch in the hands of Craft and Craft (Cupid and Psyche, 1996). The author takes her inspiration from Nathaniel Hawthorne’s retelling, capturing the essence of the tale with the use of pithy dialogue and colorful description. Enchanting in their own right, the illustrations summon the Middle Ages as a setting, and incorporate colors so lavish that when they are lost to the uniform gold spurred by King Midas’s touch, the point of the story is further burnished. (Picture book. 7-9)

Pub Date: April 1, 1999

ISBN: 0-688-13165-4

Page Count: 32

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1999

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