Mishmash or no, there’s something encouraging about seeing four queer kids on an epic journey across the post-apocalyptic...
Block’s latest can’t decide if it’s allegory, tribute or classical fairy tale.
Is Penelope the last person left alive in the world? The floodwaters that slammed through her Los Angeles neighborhood took her mother, father, brother and even her dog. While she journeys across the ravaged land, myth-loving readers—such as Penelope herself, who reads Ovid for fun and tells her friends stories about “Odysseus, Aeneas, and Achilles”—might notice familiar themes. (Despite the title's nod to García Marquez, the direct Homeric references dominate.) Penelope blinds a one-eyed giant in a chapter called “The Cyclops,” escaping by calling herself “Nobody.” In the Lotus Hotel, she meets addicts high on euphoric juice squeezed from flower petals. The parallels to The Odyssey become even more obvious when Penelope meets a sexy young man in black motorcycle boots whose favorite book is The Odyssey itself and who entertains Penelope by reading from the section of Homer’s epic about the Lotus Eaters. The continuing allusions, sometimes explicitly remarked upon by Penelope and the fellow adventurers she gathers along the way, are unsubtle but not entirely clear. But that may not matter so much: Block’s trademark magical realism works best in a brief, dreamy journey such as this one, even if the destination is uncertain.
Mishmash or no, there’s something encouraging about seeing four queer kids on an epic journey across the post-apocalyptic American Southwest . (Fantasy. 14 & up)Pub Date: Aug. 20, 2013
ISBN: 978-0-8050-9627-9
Page Count: 240
Publisher: Christy Ottaviano/Henry Holt
Review Posted Online: May 14, 2013
Kirkus Reviews Issue: June 1, 2013
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
Black is building a complex mythology; now is a great time to tune in.
Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.
Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.
Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)Pub Date: Jan. 2, 2018
ISBN: 978-0-316-31027-7
Page Count: 384
Publisher: Little, Brown
Review Posted Online: Sept. 25, 2017
Kirkus Reviews Issue: Oct. 15, 2017
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