by Fred G. Baker ‧ RELEASE DATE: May 17, 2019
A resonant, character-driven mystery that proves a worthy series entry; recommended.
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A shootout with gang members results in an unexpected outcome and a lot of trouble for a young Arizona detective in this sequel.
Phoenix detective Lori Sanchez, “sweating like a porker in the heat of the evening,” doesn’t think there’s enough backup for the drug bust set up by Capt. Ronald Gurvy of the South Metro Gang Unit. Sanchez’s concerns increase when Roberto “Criatura” Gomez, the criminals’ “top guy,” shows up with a heavily armed posse for a minor drug deal. After all hellfire breaks lose, Gurvy chases Gomez into a junkyard. Sanchez, in delayed pursuit in the darkness, trips over a downed Gurvy. Both he and Gomez are dead. Ballistics reports show the bullets that killed each man match. “They were both shot by the same gun—the same shooter,” says Jeff Bordou, Sanchez’s partner. After the gunfight, Sanchez and Bordou can’t locate their snitch, Eduardo, for questioning, and her apartment is ransacked. The thieves stole not much of value, but they apparently hid something in her apartment—the gun that killed Gurvy and Gomez. When the cops find and ID the weapon, suspicion falls on Sanchez, who relies on her dear friend Father Guillermo Montero for comfort and counseling. He knows Father Juan “John” Ortega, a local priest whose church grounds offer asylum for two dozen refugees from El Salvador and one newcomer, a local man who says he needs protection but may have gangland ties. Baker’s (An Imperfect Crime, 2018, etc.) images are rich, as when he describes Arizona’s deserts, casinos, or even a precinct secretary’s desk—“one of those old steel ones in the shade of battleship gray. It, like Margaret, was formidable.” The book’s pacing is superb, starting out strong with the gunfight, retreating a bit, then bringing in more firepower. Timeliness of content stands out, as Father John offers a sanctuary for undocumented immigrants, who are subjected to violence. The series gets bonus points for its ethnic lead characters: a strong female cop and a sympathetic priest who share “similar interests and a love for Mexican beers and good food.”
A resonant, character-driven mystery that proves a worthy series entry; recommended.Pub Date: May 17, 2019
ISBN: 978-1-949336-12-2
Page Count: 286
Publisher: Other Voices Press
Review Posted Online: Sept. 16, 2019
Kirkus Reviews Issue: Dec. 1, 2019
Review Program: Kirkus Indie
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BOOK REVIEW
by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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BOOK REVIEW
by Paulo Coelho ; illustrated by Christoph Niemann ; translated by Margaret Jull Costa
BOOK REVIEW
by Paulo Coelho ; translated by Eric M.B. Becker
BOOK REVIEW
by Paulo Coelho ; translated by Zoë Perry
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SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Kirkus Reviews'
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Kirkus Prize
winner
National Book Award Finalist
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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