A well-reasoned, wide-ranging plea for a new conception of personhood and justice.
Anti-racism activist and philanthropist Joseph turns his attention to issues of intersectional oppression.
“Realizing your life won’t last forever sometimes has a way of reminding you to be free,” writes the author about being diagnosed with multiple sclerosis while contending with the effects of the pandemic on marginalized communities. After the murder of George Floyd, the anti-racism movement found plenty of adherents and allies; missing were similarly extensive discussions of the violence done to trans women, the disproportionate loss of jobs by women of color, and other matters. Anti-racism, he writes, fails if it does not also address homophobia, violence against women, and other “oppressive behaviors and systems.” This involves building an anti-patriarchal movement and rejecting conventional wisdom about gender roles—e.g., girls stay quiet and boys don’t cry, nostrums by which “we are limiting who and what our society is and may become.” We must also call out instances of oppression, which may sometimes take on uncomfortable dimensions: Joseph writes meaningfully of being a one-time fan of Dave Chappelle’s comedy, which worked best when directed against White supremacism and economic privilege but is burdened by “homophobia, misogyny, and anti-Blackness.” In a relatively slender book, Joseph covers a great deal of ground, taking on rape culture, White privilege, victim blaming, the rights of sex workers, and the fact that “the Black American experience is not monolithic,” always returning to the intersectionality that governs how people are defined and, too often, oppressed. His book merits a large audience whose members must “take a sledgehammer to the institutions of yesterday that have kept the most marginalized from power that was never meant solely for men.” In conclusion, Joseph writes, “through the enlightenment of intersectionality we will move these mountains of caste, until equity is not a dream, but rather a standard.”
A well-reasoned, wide-ranging plea for a new conception of personhood and justice.Pub Date: May 17, 2022
ISBN: 978-0-06-313832-2
Page Count: 272
Publisher: Perennial/HarperCollins
Review Posted Online: Feb. 23, 2022
Kirkus Reviews Issue: March 15, 2022
A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.
An insider’s chronicle of a pivotal presidential campaign.
Several months into the mounting political upheaval of Donald Trump’s second term and following a wave of bestselling political exposés, most notably Jake Tapper and Alex Thompson’s Original Sin on Joe Biden’s health and late decision to step down, former Vice President Harris offers her own account of the consequential months surrounding Biden’s withdrawal and her swift campaign for the presidency. Structured as brief chapters with countdown headers from 107 days to Election Day, the book recounts the campaign’s daily rigors: vetting a running mate, navigating back-to-back rallies, preparing for the convention and the debate with Trump, and deflecting obstacles in the form of both Trump’s camp and Biden’s faltering team. Harris aims to set the record straight on issues that have remained hotly debated. While acknowledging Biden’s advancing decline, she also highlights his foreign-policy steadiness: “His years of experience in foreign policy clearly showed….He was always focused, always commander in chief in that room.” More blame is placed on his inner circle, especially Jill Biden, whom Harris faults for pushing him beyond his limits—“the people who knew him best, should have realized that any campaign was a bridge too far.” Throughout, she highlights her own qualifications and dismisses suggestions that an open contest might have better served the party: “If they thought I was down with a mini primary or some other half-baked procedure, I was quick to disabuse them.” Facing Trump’s increasingly unhinged behavior, Harris never openly doubts her ability to confront him. Yet she doesn’t fully persuade the reader that she had the capacity to counter his dominance, suggesting instead that her defeat stemmed from a lack of time—a theme underscored by the urgency of the book’s title. If not entirely sanguine about the future, she maintains a clear-eyed view of the damage already done: “Perhaps so much damage that we will have to re-create our government…something leaner, swifter, and much more efficient.”
A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.Pub Date: Sept. 23, 2025
ISBN: 9781668211656
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: Sept. 23, 2025
Kirkus Reviews Issue: Nov. 15, 2025
BOOK REVIEW
BOOK REVIEW
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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